Showing posts with label Pleiades. Show all posts
Showing posts with label Pleiades. Show all posts

Saturday, August 23, 2025

Sick of Politics? Try Some Exopolitics, Folks! (repost)


In our bi-polar universe everything occurs in paired opposites, even star systems. Just as we're all aware of the value of balancing our yins and our yangs (our female and male aspects, for those who no spik Chinee; our warps and woofs, for those who speak only Caninese), the entire galaxy - perhaps the Whole Universe - is seeking to align and synchronize its inner and outer workings, particularly at auspicious junctures like NOW - when cycles micro and macro are converging and culminating in what Terence McKenna called "Singularity" (and the rest of us are happy to call plain old Oneness).


Just as every plug seeks a socket, stars too are seeking realignment and reconnection with their polar counterparts: Sirius (M) is beginning to recognize the Pleiades (F) as its stellar spouse. For as long as we can remember Sirius has dominated the Earth's northern hemisphere - the "upper" chakras - while Pleiadian energies have ruled the southern hemisphere - the "lower" chakras). Sirius claims paternity over earthian humanity and is constantly trying to mold us in its own image (that's where the patriarchal Elohim operate from, especially those emanating from IHVH, whose unruly stepchildren, the Anunnaki, colonized the planet and manufactured the Adamic race to perform menial tasks... but the genes mutated out of control!).


The Pleiades is a very complex star alliance comprising a bewildering assortment of evolutionary possibilities - hence, its influence is more "motherly" and not so dogma-bound.

Orion, I think, might be a gay system with a crush on Sirius - hence the close collaboration between these two stars in Egyptian lore. That fancy belt with three flashing rhinestones is a dead giveaway, even though they're supposed to be stargates!


So what about Arcturus? Well, I was greatly chuffed when I got hold of José Argüelles's Surfers of the Zuvuya in which he presents a star map depicted as a kabbalistic Tree of Life, showing Arcturus as the male aspect of Antares. Indeed, José talks about the Arcturus-Antares Midway Station - a sort of conference center serving the Milky Way - where souls assemble to discuss, well, galactic affairs. Many of us, José says, spend some of our sleeping hours "there" trading gossip and catching up on the real news - but have no memory of it when we "wake up."

Indeed, José Argüelles is so sure of his Arcturian origins he updated his calling card to read: "Valum Votan, Arcturian Minister" and his wife, Lloydine, became Bolon Ik (see their website www.tortuga.com). I don't doubt José's claim. If you've read any of his magnificent books, his intuitive grasp of cosmic science and math boggles the more female Lemurian-Pleiadian mind. Maybe Buckminster Fuller was from Arcturus too?

The native Maya - like the majority of indigenous tribes on earth - have a special connection with the Pleiades. So how does Arcturus fit into the Mayan Factor? My take on this is that the Arcturians brought their crystalline intelligence to bear on the Lemurian remnant by incarnating as their gods. So we have all these Pleiadian-seeded tribes worshiping Arcturian god-kings whose grasp of cosmic sciences and higher mathematics produced artifacts like Angkor Wat, the Easter Island heads, Tiahuanaco, Machu Picchu, and the great ziggurats of Central America.

My intuition informs me that Arcturians are incredibly technical intelligences - galactic engineers in charge of grid maintenance and repair. A clairvoyant friend who lives in Sodus, New York, told me (after I sent her a webcam view of Mount Shasta) that she dreamt she was deep within the bowels of Shasta where she witnessed the arrival of an Arcturian technical team, who proceeded to download a vast computer program into the subterranean crystal bank. She felt she was sent there to receive a copy of the program within her cells which she could then take to Magick River and download into the quartz banks below the Mother Fall. She took this mission very seriously and paid her own airfare in 1999 to accomplish the task. From Sodus, New York, to Magick River, Malaysia - just to install some dadfangled Arcturian software in the innards of the heart chakra portal! That's dedication for you. Anyway, her mission was successfully accomplished on April 12th, 1999 (I was there with one other witness). Amyras - that's her spiritual tag - informed me that there were vast numbers of nature spirits and guardians protecting the Mother Fall.

I had already felt that, but it was good to have it confirmed by a "pro." Since then, I've had quite a few psychics turn up who, without any prompting, immediately identified me as the guardian of the interdimensional portal at Magick River. Almost freaky - but, then, being an Antarean, I'm used to funny stuff like that happening.

Now, all this talk about Sirians and Pleiadians and Arcturians and Antareans might sound a tad complicated - but if you look at it as you would a history of North America, with a complex of indigenous tribes apparently overrun and colonized by bearded palefaces from across the sea (or outer space) - each with a different language and culture (Nordic, Dutch, Spanish, Italian, British, German, French, Russian, Jewish, Polish, etc) - then it's fairly obvious that what goes on in the heavens is reflected right here on earth. It's all holograms, folks. So if you're bored with the primate politics of planet Earth, help yourself to a refreshing dose of exopolitics!

[First posted 29 August 2008]

Friday, August 1, 2025

Paean to the Pleiades by Enra (repost)



Published on 27 Dec 2013

Performamce & Choreography :Saya Watatani , Maki Yokoyama
Director : Nobuyuki Hanabusa
Animator : Seiya Ishii , Nobuyuki Hanabusa
Music : Nobuyuki Hanabusa
http://enra.jp



Published on 13 May 2014

Director: Nobuyuki Hanabusa, Yusaku Mochizuki
Performer: Yusaku Mochizuki
Animator: Minoru Kusakabe, Nobuyuki Hanabusa
Music: Nobuyuki Hanabusa, Yusaku Mochizuki
http://enra.jp

[First posted 30 June 2014]

Friday, April 11, 2025

A Brief Intro to MAYAN-PLEIADIAN COSMOLOGY & THE GALACTIC CALENDAR


The subject of Mayan or Incan Cosmology in relation to the Pleiades is V-A-S-T. When I said this was an INTRODUCTION to the subject, I more or less meant EXACTLY that: sort of like... “People, meet the Tzolkin. Tzolkin, these lovely people would like to get to know you a little better. Here are a few names & addresses & websites. Good luck!”

Indeed, research on Galactic Timefields has accelerated so fast since 1987 that I find myself at the bottom of the class in Mayan-Pleiadian Cosmology. Nonetheless, I feel compelled to impart the modest insight that I do possess to as many people as I can - simply because I believe that even the most casual understanding of this system of thinking is a crucial key to surfing the tidal wave of radical changes that's about to smash our familiar worldviews to pieces.

WHAT IS THE TZOLKIN? For the best answer we must turn to visionary artist and cultural historian José Argüelles, who spent 33 years contemplating the mystery of the Maya, and finally published his mind-boggling conclusions in one of the most significant books ever written. In The Mayan Factor: Path Beyond Technology, Argüelles explains it this way (more or less):

The Tzolkin is a Harmonic Module. A Super-Macro-Chip in the Galactic Computer - in fact it's the Mother Logic Board, for those of you with a bit of computer savvy - that constitutes the Operating System of the entire Milky Way Galaxy. And yet it's a very simple device consisting of 13 tones (think of them as musical tones if you like) interacting with 20 frequency zones (each frequency zone representing a specific range of experiential probabilities or mental-emotional qualities). The 13 tones are signified by numbers - although the Mayans, like the Egyptians, the Hebrews & the Tibetans, regarded numbers as qualities as well as quantities - if you can bear that in mind at all times.

In other words, two isn't just a pair of eyes or ears or whatever, two represents bi-polarity, maleness & femaleness, yin & yang. Three represents evolutionary movement - one + one = two & when you add one more, you don't just get three, you get the possibility of evolution symbolized by the triangle or the trinity. Four, the basis of squareness, represents stability (when taken as the basic geometric structure underlying all structures, viz. the tetrahedron) & also measure, for only when a structure is stabilized can it be measured; perhaps that's why the most common measure in music is 4/4. Well, I don't want to get too involved with details. This is a subject that deserves months, years of personal research & study - if you find it interesting & I hope you will by the time my time runs out!

Anyway... 13 tones interacting with 20 frequency zones (which the Maya called the 20 Sacred Suns or starglyphs) produces a 260-day probability-wave-field. Another area I won't delve into too much is Mayan mathematics. For one thing, my head gets rather woolly when trying to deal with numbers & for another this is a subject that would take an entire 9-day or 9-year course to even begin to understand its implications. Let's just say that the Maya worked with fractal geometries & therefore all their numbers are fractal values: which means, the Maya work with hologram realities, where each part essentially contains the whole.

[“A fractal is a proportion that remains constant: e.g., a 36-degree segment of a circle will always be 36 degrees no matter how large or small the circle. Also, in this segment of the circle sufficient information is contained to allow one to construct the whole circle. The fractal principle underlies the holographic nature of things; from one fraction of a particular whole, the entire whole can be constructed." - José Argüelles, The Mayan Factor.]

13 X 20 = 260 which is a fractal of 26,000 - the approximate number of years required for the Earth's orbit around the Sun to complete a grand tour of the Zodiac. Note, too, that the 20 Sacred Suns are represented by our 10 fingers & 10 toes, which means 5 is a central figure in their calculations. The pentatonic musical scale is derived from this ancient system of reckoning. The Chinese have their 5 elements, we speak of our 5 senses, and so on. Well, 260 divided by 5 = 52... & there are 52 weeks to the year. 52 is also a fractal value of 5,200 - which is the number of tuns or Mayan years it takes for us to travel from the Beginning to the End of History - and that's just one Great Cycle in the Galactic Scheme of Events.

Let me try & explain what all this means. Please bear with me while I spew a few more numbers. Now the Mayan calendar is an intricate cosmic gear mechanism which integrates many micro & macro movements first there's the k'in or day; then there's the tun or solar year of 360 k'in; then the katun of 20 tuns, the baktun of 20 katuns (approximately 394 solar years); the pictun of 20 baktuns (approx.imately7,900 years); the calabtun of 20 pictuns (approximately 157,600 years) - and this can go on infinitely till the numbers get so huge we can't even speak them. For practical purposes, the Maya decided to work with only 9 orders, culminating with the alautun (approximately 63,040,000 years).

Now, it's obvious the Maya are NOT your proverbial frog under the coconut shell. The Maya are, in fact, pretty cosmic thinkers & navigators. With the Maya we are, in fact, dealing with a highly evolved galactic intelligence which has been gently guiding the course of human evolution for hundreds of thousands of years.

WHERE DO THE MAYA ORIGINATE? If you look at the simple map of the Pleiades among your notes, you'll notice that the second star after Alcyone is called MAYA. I don't mean to be obtuse, but THAT's where the Maya originate. You see, one of the most astounding facts I've stumbled upon in the last 5 years is that our Sun - yes, good old Sol - is an integral member of the Pleiadian Star Alliance. Don't bother asking an astronomer or your local planetarium whether this is true. They don't have a clue about this. When I first read about this in a book by Barbara Hand Clow (one of her Mind Chronicles trilogy) I instantly felt a shiver of recognition. For years, the word “Pleiades” had given me a strange feeling of familiarity. I just didn't know why. I simply liked the sound of the word “Pleiades” – it felt like ‘home’ to me! Now, I have very good friends from Arcturus, Sirius, Aldebaran, Andromeda, Orion, even Betelgeuse (or Beetlejuice as the Americans call it) - but my Pleiadian friends are the least “alien” of all - WHY? - because in Malaysia we call them Orang Asli!

Yes... the indigenous tribes of Earth are almost entirely of Pleiadian origin, although a few odd specimens here & there may originate rom a whole spectrum of different lineages. As for myself, I consider myself an Earth native (& therefore Pleiadian) -but I now accept that I may have DNA strands from all over the galaxy – perhaps even other galaxies! This way I get to feel much more of a mystery to myself - which is a rather entertaining state of mind, you never get bored with yourself this way!


THE LOOM OF MAYA
. The heart of the Tzolkin is the most mysterious part of the entire Harmonic Module. It consists of 64 units - corresponding with the 64 hexagrams of the Chinese Oracle I Ching and the 64 codons of the Genetic Code. The number 8 evokes the Chinese paat-quah or 8-sided mandala, representing the 8 points of a double tetrahedron, an extremely important configuration in sacred geometry). 8 also represents the Octave. So, 8 X 8 = 64 produces the central core: a Crossover Polarity Zone where male transforms into female, electricity into magnetism, negative into positive, and so on. Which is why Argüelles calls it the “Loom of Maya” - for this is where Spirit is spun into Matter and vice versa. This is the engine of Energy-Consciousness-Matter Conversion. By means of the Loom of Maya, what is imagined by the Galactic Mind becomes real. And what is real to us converts back into the Cosmic Dreamtime.

Now, please bear in mind that the Tzolkin as a Harmonic Module is entirely holographic. Meaning: each atom, each cell within us – in fact, our entire physical-mental-emotional infrastructure (which defines the motifs and patterns of our lives) - is itself a Galactic Calendar, a Tzolkin, a blueprint and a ledger of our days. We are fractals of the Mother Logic Board of Intelligent Evolution, the Spiral of Life itself.

The Galaxy as a whole and ourselves are One: 13 tones written as a recurring sequence of numbers; 20 symbols that represent different colors, different feelings and moods - working interactively, radially, multidimensionally off one another in 4 horizontal directions in external reality; and 7 attentional vectors in internal reality (we look forward, backward, left, right, up, down, and within).


Thus, we have our 260-day Tzolkin: the Super-Macro-Chip that informs the operation of this galaxy, in holographic harmony and resonance with all other galaxies in the Intergalactic Confederation. With this basic understanding, we as humans poised on the brink of a new millennium are ready to take a quantum leap - not of blind faith, but with fully conscious anticipation and joy — into the greater universe beyond the ‘coconut shell" of provincial, national, and even planetary barriers!

Om’ta ku oyasin! (We are all interrelated and I salute Thee!)

Antares
Magick River
Malaysia

10 June 2000




[Draft of a talk that was, thank Hunab Ku, never delivered]

 

 

Friday, September 14, 2007

KEMBALI KE BALI (Part Two of a 4-part pictorial essay)



Barong, king of spirits, getting ready for the grand cremation of Bali's Queen Mother.
More preparations in Ubud for the Royal Cremation.

WHY ON EARTH did it take me 26 years to return to Bali? My first visit in 1981 stretched over 5 weeks and every day was a Technicolor dream filled with adventure, romance, inspiring vistas, and delicious sensations.

Perhaps the high point of that earlier trip was my encounter with the Bird and the Bearcat in a tourist restaurant on Lovina Beach. I found myself seated opposite two friendly young women who looked Scandinavian. As we chatted over coffee after dinner, somebody shouted: “Wow! Look at the full moon!” So we decided to take a stroll on the beach to revel in the silvery moonshine. Somehow I found myself standing beside the Bird on the surf’s edge. It was a moment of perfect ease and deep tranquility.

Without a word spoken our lips and souls connected.

Bird spoke briefly to Bearcat (her favorite traveling companion and childhood friend of ten years) and jumped on the back of my rented motorbike. We rode off to my humble lodgings and, with only a few coconut palms as our witnesses, I married Agnete "Bird" Holbak under a cloudless Balinese sky. Our honeymoon lasted less than a week before Helle the Bearcat turned up at our charming guesthouse on the outskirts of Ubud. “Your birthday is tomorrow,” Bearcat reminded Bird, “and I can’t let you celebrate without me!” So the three of us saw the Bird turn 21 in Ubud and thereafter, we decided to save money by sharing a room – the Bird and I in one bed, Bearcat in the other. And I thought such things only happen in the movies…

My Danish viking angels flew off to tour Malaysia’s peninsular east coast as planned while I stayed on in Bali another few days. They had my address in KL and promised to reconnect at the end of their journey. As it turned out I decided to cut short my Bali trip so that I could meet up with my dad at Changi Airport, Singapore. He was on his way to Melbourne for heart bypass surgery, accompanied by my mum and sis. The operation, performed by Dr Vincent Chang (the acclaimed heart surgeon who was senselessly murdered a few years later by a Malaysian thug), was successful beyond all expectations. My dad lived another 23 years and died of bronchial congestion in October 2004 at the ripe old age of 88.

Bird and Bearcat did show up at my doorstep in KL and we enjoyed a bonus vacation on Pangkor. I subsequently visited the Bird in Copenhagen a couple of times; and in 1987 Bird, Bearcat and I enjoyed a 10-day reunion in Phuket as the six-legged monster of Laem Promthep.

Stone monkey guards a wayside shrine.
In any case that 1981 holiday in Bali permanently changed my outlook on life, gave it an earth-centered spiritual grounding. The very next year I discovered the enchanting location I now call home. It was the closest I could get to living in paradise without leaving Malaysia. My nearest neighbors are now the Orang Asli who are in many ways like the Balinese – although they sadly lack the aesthetic sense, the unforced graciousness, and the rich tradition of skilled craftsmanship that characterize the Balinese.

Dead trees transformed into magnificent works of art.
Wherever you turn in Bali, you'll see skilled artisans hard at work - and there are expert woodcarvers, stone sculptors, metalworkers, and glassblowers to be found in large numbers, especially in the Gianyar province, where the cultural hub of Ubud is located.

Undoubtedly the people of Bali are an integral part of the island’s irresistible allure. Three million people – give or take twenty thousand tourists at any given time – crowded together on an island no bigger than the state of Selangor. A strong sense of hierarchy and tradition underpins all of Balinese social life - legacy of an era when Hinduism (along with the caste system) arrived on the island with refugees from the shrinking Majapahit empire.

Apart from the aristocracy - and it’s not unusual to meet a few “Anak Agungs” just as “Tengkus” aren’t uncommon in Malaysia, since Royalty everywhere has a penchant for polygamy - Balinese families classify themselves as Brahmanas (priests and scholars), Ksatriyas (warriors), Vaesyas (artisans, farmers, merchants), or Sudras (laborers).

I doubt that the demarcations between the castes are as rigid today as they once might have been, and intermarriage across caste lines must be fairly common these days. Balinese are named according to their status within each family. Every first-born has Wayan as a first name; second-born, Made; third-born, Nyoman; and fourth-born, Ketut.

What about the fifth-, sixth-, and seventh-born?

“The parents are free to name these children whatever they like,” I was informed by a lovely she-male named Nyoman Ayu (left) who took a shine to me.

Striking architectural and cosmological similarities abound amongst the monument-building cultures found along the Asia-Pacific Rim, leading one to speculate on Bali’s ancient links, via the Indian, with the Cambodian, Incan, and Mayan civilizations.

The Pleiadian influence reveals itself in the symbolism of the sacred bull (Alcyone, the brightest star in the Pleiades, is also known as Eta Tauri, and happens to be part of the Taurus constellation). Interestingly, the Pleiades features prominently in the starlore of almost every culture found south of the Equator; while, in the northern hemisphere, the predominant influences are Sirius and Orion. Energetically speaking, one may regard the Pleiades as a "feminine" or magnetic influence and civilizations in the southern hemisphere tend to be more mystical. Whereas the "masculine" or electrical influence of Sirius and Orion tends to inspire civilizations that are more technologically inclined.

[To be continued...]
Text & photos © Antares