Sunday, July 24, 2022

Horace Tan’s Horrible Skin Condition (& how Mrs Tan cured it) ~ a bizarre short story by Antares

This story began its life in 1967 as a high school creative writing assignment. It was originally titled Herbert von Schenke’s Rare & Disconcerting Problem – And How Dutiful Delilah Solved It. I dusted it off in 1987 and fleshed it out for a short-story writing competition. It was awarded a consolation prize. I subsequently sold it to Men’s Review, a trendy monthly magazine, in 1995, along with a couple of new illustrations. And now, here it is again in its latest incarnation as a blogpost (first uploaded 26 May 2007), which only goes to show that there's a future in recycling one’s past...


HUMMING WITH above-average self-confidence, Mr Horace H.L. Tan would flounce down the street each day, despite his rare and disconcerting Skin Condition.

And an uncommonly horrible problem his was at that: poor Mr Tan was burdened at birth with the distressing misfortune of Loose Skin.

When Horace was but a day old everyone had tried to dismiss the issue with humor, saying how charmingly like a plump little prune he looked. The doctors had conducted a series of expensive tests and, after serious conference, had diagnosed the child’s condition as “a most unusual case of acutely uncoordinated cuticular cellulation.”

“Probably a passing phase,” the doctors had declared in reassuring unison, fondly tickling the gurgling bundle of joyful wrinkles that glistened in its cot.

“Don’t worry, dear, he’ll grow into it,” Horace’s father had said, with sensible optimism.

“’Tis God’s Will,” Horace’s mother had responded, carefully powdering her infant and arranging his skin in neat folds, with stoic affection.

As to be expected, young Horace encountered traumatic difficulties in trying to gain the acceptance of society. At school the other children mercilessly mocked his pleated skin: “Jellyfish, smellyfish,” they chanted, “just go away, that’s all we wish!”

Before long Horace had acquired an aura of grand isolation arising from his dermatological uniqueness. Some called it freakishness, but never to his face, for his features had by now become very much enshrouded in the spotty skin of adolescence. Nobody could think of anything meaningful to say to him, and he remained enveloped within himself. For Horace Tan it was one of life’s poignant ironies that he should suffer a total deprivation of the sense of kinship, while enjoying a superabundance of skin.

But he comforted himself by recalling his father’s last words: “A great man, Horace my boy, must have the courage to be different. The ugliest insults to one’s dignity are, at their worst, only skin-deep.” At one time Horace Tan’s father had been the owner of a famous reptile farm (featured on all the tourist maps).

After her husband’s death, Horace Tan’s mother had sold the business and established a trust fund for her only son. She somehow knew her own days were numbered.

Solace also came to Horace in the sweet, unselfish person of Philomena P’ng, a quiet girl from the local orphanage who had been engaged as his handmaid and cosmetician. Not having really had a proper upbringing she had been spared the normal quota of prejudices that children inevitably absorb from their parents.


Now, Horace’s extraordinary hide had attained new dimensions in horniness ever since puberty – for his prodigious dermal development was accompanied by no significant loss of tactile sensitivity. Perhaps in defiance of his own physical shortcomings, he had perversely cultivated a keen interest in feminine pulchritude (which would later prove valuable in his professional life).

For the present, Horace had to make do with Philomena P’ng’s services. No doubt she struck Horace as a morsel too bland for his exotic taste, but she did seem to care for him above and beyond the call of her domestic and cosmetic duties. In fact, after the death of his parents, Horace’s only companion was Philomena – and hers the only other human skin he had touched.

At nineteen-and-a-half Horace Tan stopped growing. But not his skin. It was now at least three sizes too large for him. (To get a more graphic idea of how Horace looked at this stage, slip an old condom over your index finger and wiggle it.) However, to a sympathetic eye, Horace did not appear at all repulsive – thanks to Philomena’s conscientious and tender ministrations which kept his overall complexion clear and healthy. A ridiculous proportion of their monthly expenses, however, went towards imported skin care products.

Since his strange affliction precluded active participation in sports and other social games, Horace had naturally turned to books. (He rarely watched television, complaining that he found the “superficiality and false glamor of TV-land “ in poor taste.) During this period he chanced upon Frank Herbert’s Dune stories which profoundly altered his self-image: Horace was drawn irresistibly into a quasi-mystical identification with the Hero - whose horrendous transmogrification into a hideous heap of omniscient protoplasm earns him the status of Emperor God. The silent contempt Horace felt towards the human hordes that pride themselves on Normalcy became even more pronounced.


FOR A FEW best-forgotten years, Horace Tan supplemented his dwindling trust fund income by submitting his Skin Condition to public exhibition. He was billed as “The Incredible Human Fungus.” It was disgusting and demeaning, true, but on weekends the takings were appreciable. Philomena set up a tea stall outside. Soon, a multi-cultural element (consisting of two giggly Thai women wrestling in French salad dressing) was incorporated into Horace’s Human Fungus routine. While Philomena diverted curious policemen with her excellent tea and delicious margarine rolls, Horace livened up his act with a series of other ingeniously flamboyant titillations. “Fun on Fungus” evolved into a fantastic money-spinner, and Horace H.L. Tan was well on his way to true-blue entrepreneurship. “They want skin… I sell them SKIN!” became his private credo.


And with that Horace Tan married Philomena P’ng, bought her a gleaming new chain of fast-food outlets, and installed himself as the Invisible Godfather of a proliferous network of adult video agencies. It was the perfect climate for purveyors of preserved prurience: hot, humid and hypocritical.

Working behind the scenes with transcendental vulgarity, Horace swiftly established a vast and venal empire of ‘musical’ coffeehouses, ‘massage’ salons and ‘sex-clusive’ health clubs. Meanwhile, video vice was doing very well, thank you, with the staunch support of the nation’s puritan aunts and uncles: the more they raved, the more they rented (this was before the advent of the internet made rented videos obsolete). When the Official Outcry Over Obscenity and Hedonism (OOOOH) reached a premature climax of impassioned publicity resulting in Nocturnal Omissions by the Blind Forces of Moral Erectitude (ref. Raids & Seizures Act, Amendment V, 1969), Horace gently pulled out of pornography and plunged into other, more personally gratifying pursuits.

He took up a correspondence course in Amateur Dermatology and soon was acknowledged as the World’s Foremost Authority on the tragic case history of John Merrick (the original Elephant Man). Inspired by one of Alan Sherman’s doggerel ditties (“You gotta have skin/All you ever really need is skin…”), Horace next tried underwriting and producing a musical extravaganza (predictably called Skin). The critics dismissed the whole show as “a flabby and shabby flop” but its lyrical content, though accused of “unrestrained idiosyncrasy and self-vindication,” was occasionally brilliant:

Skin is a most precious commodity
Especially when it stretches to Infinity;
Although a few fools think me an oddity,
My ego-encompassing epidermal packaging
Gives me a great sense of Divinity!

Skin, luxurious skin:
Oo, it’s the nicest stuff to be in!
Come rain or shine it won’t fade with time;
Yes! skin is a substance sublime.

Skin, my glorious skin:
Where do you end, where do I begin?
Who cares! just send up an endless supply
Of skin…


But most of all Horace cherished his regular afternoon jaunts. When the sun warmed him like a chappati and the breeze billowed his cheeks like a Sultan’s birthday banners, he would pause and tuck the freehanging ends of his knobby kneeskin into his superstretched socks (so as not to trip and embarrass himself). And he would think fondly of faithful Philomena: so passionate, so patient, so practical, so resilient and resourceful. And his entire skin would quiver with a peculiar pleasure.

Having thus worked up a voluminous appetite Horace would hurry over (the best he could) to his wife’s nearest outlet, where he would drowse behind the giant microwave ovens and wait for the last patron to leave, before doing hungry justice to the day’s remnants of frankfurters, French fries and fruit pies.

And yet, Horace Tan’s marital, epidermal and gastronomical contentment was clouded by the horrid certainty that the rate of his Gross Dermal Product was obviously and undeniably proportional to his age. In other words, Mr Tan’s horrible Skin Condition was STILL getting worse (notwithstanding his remarkable psychological triumph over the cruel bathos of Fate).

"Each day the dutiful Mrs Tan would scrape off the waxy waste with a scoop and sell it by the tub to an orchid fertilizer factory."



BEFORE HE REACHED 44 the unfortunate Mr Horace Tan had become quite incapable of carrying out the simplest tasks of daily living. His devoted wife soon had to administer liquid food to him through a veterinary hypodermic (it was impossible to locate his mouth); walk him in a heavy-duty motorized wheelbarrow (his feet were hard to find); read, or rather, shout the morning and afternoon papers to him (his eyes had for years been buried beneath pachydermoid lids and he hardly had ears to speak of or into); scratch him whenever he had an itch (and he had more than a few); and hose him down thrice a day (to reduce his profuse transpiration).

Almost all his natural bodily functions had undergone a bizarre mutation. He no longer had to “go to the toilet.” Instead he exuded, at regular intervals, a resinous effluent which, although slightly unpleasant in odor, was wonderfully conducive to plant growth. Each day the dutiful Mrs Tan would scrape off the waxy waste with a scoop and sell it by the tub to an orchid fertilizer factory. Then she would turn on the electric shower system in the ceiling and spray her husband with Dettol, followed by Odorono. At night she had to tape his facial folds to the wall to prevent his suffocating in his sleep as he lay helpless on his foam-rubber floor like a retired Portuguese man-of-war. It was a truly unhappy existence, even for such a positive-thinking pair.

Despite his Herculean struggles with dermal density, heroic Horace never forgot each night to whisper hoarsely, albeit inaudibly, to his wife: “Hey, Sugar-Melon… stick around. I… I’ll show you a good time yet!” (Alas, a rarely fulfilled promise.)

Philomena Tan, with phenomenal determination and without prejudice, divided her time equally between running her fast-food chain and attending to her poor husband’s saprophytic existence. But as each day dragged saggingly by with no miracle in sight, and even the subcutaneous sound of Horace’s voice receded beyond the effective range of the electronic bugs implanted within his remote recesses, Philomena began to admit that things looked grave.


The last time she heard him speak was through a medium. He sounded deeply regretful to have imposed such a massive burden on her, and begged her over and over again to put him out of his monstrous misery. She had replied (through the medium): “But, Horace! After all we’ve been through, how can I get rid of you?” (“I’m sure you’ll think of something,” Horace had quipped via the medium. At least he still had his sense of humor.)

What with the bourgeoisie rabidly bourgeoning and its insatiable demand for junk food, Mrs Tan was kept too busy to indulge in self-pity. Not till the weekend did she find time to ponder a possible cure for her husband’s horrible Skin Condition. Every known medical approach had been attempted to no avail: Allopathic, Ayurvedic, Homeopathic, Dianetic, even Acupuncture, Ch’i Qong, Hypnotism, Mind Control, Reiki, Aloe Vera, Aromatherapy, Aurasoma, Past Life Regression, Royal Jelly, Lourdes Water, Mystic Ash, Prayer and Tiger Balm.

Then she remembered having seen, among some ancient books collecting dust in the basement, a frayed edition of Dr J.S. Petit’s quaint classic, 101 Ways To Cure Skin (published in 1903). The book had probably belonged to Horace’s paternal grandfather. In a thrice Philomena was rummaging through the musty accumulations of three generations of Tans until, at last, she retrieved the slim volume. Hands trembling, she began her desperate research, struggling over Dr Petit’s worm-eaten archaisms.

The following week, having secured “a good supply of tannin and gambier,” she mixed the recommended ingredients into a concentrated solution and added this regularly to her spongoid spouse’s nutrient injections. There was no way of knowing if the treatment would work. Now that hope and faith seemed useless, only luck remained.

One evening some weeks later she arrived with her husband’s food syringe to find his discolored and deflated blimp-like bulk even more devoid of human semblance than usual. Missing were the familiar rumbling undulations of inexpressible yearning that preceded every meal. “Horace!” she cried distractedly. “Horace, wake up! Your dinner’s getting cold!”

There was no response. Not a single heave, nor the subtlest quiver. “HORACE??” She began poking all over the unmoving mammoth mound of flaccid cuticle, looking for traces of her erstwhile matrimonial partner, but found absolutely nothing: nothing vaguely suggesting an arm or a leg or a protuberance of any description. Horace H.L. Tan had apparently dissolved into the labyrinthine folds of his own skin.

Perhaps for the first time in her life Philomena P’ng broke down and wept. But not for very long. Within a year, the phenomenal Philomena had gathered her resources and opened a classy boutique in Star Hill Plaza selling a chic selection of designer Belts, Boots, Handbags, Shoes, Wallets, Vests, Cigarette Cases, Pipe Pouches, Money Belts, and so on. The turnover was simply sensational. A massive promotional campaign was launched in Hong Kong, Taipeh, London, Paris, New York and Los Angeles, and exports began in earnest. Soon, the House of Horace could boast the rare distinction of being the “World Leader in Quality Leather.” Well, at least till the supply fizzled out… and, horror of horrors, it eventually did, poor Horace.


© Antares 1967, 1987, 1995, 2001, 2007, 2009, 2013, 2019 [Last reposted 6 November 2013, 20 August 2019 & 23 July 2020]




Thursday, June 23, 2022

Official Version vs Conspiracy Theory (reprise)

Stumbled on this earlier and found it amusing. I have a feeling it was posted by a cop, as cops these days just wanna be bloggers (and bloggers just wanna be cops). All "official versions" have one thing in common: they are targeted at some fictitious man-in-the-street whose IQ does not exceed 55. Consider the Official Version of the sensational Altantuya murder which says she was probably killed by two off-duty cops at the instigation of a well-connected defence consultant and businessman. Nobody else was involved. If you buy this story, congratulations - you have an IQ that doesn't exceed 55! Well, I don't know who wrote this piece as the author chooses to remain anonymous, but you can read the entire entry here.

9/11: THE MOST RIDICULOUS CONSPIRACY THEORY OF ALL TIME!

According to the ever truth-telling government of the US and the ever accurate US media, the 9/11 attacks were planned by a sickly man hiding in a cave who just so happened to be a "former" CIA employee. The attacks were then carried out by 19 Arab hijackers who, just by chance, lived next door to the Israeli Mossad and magically somehow at least 7 of them remained alive after crashing planes into buildings. This is, of course, because each of the living hijackers had eaten those little green 1-up mushrooms from the Super Mario brothers and upon their death they just came back to life on earth as extra men. Claiming that these men could not possibly have carried out the attacks just because a few of them are alive is absurd. The magical 1-up mushrooms explain everything perfectly.

Next, two concrete and steel buildings which had been hit by airplanes burned near the top for about an hour and then suddenly fell straight down in a matter of seconds. Now we all know that Bin Laden was using a powerful genie to pull this off. You know all those bearded guys in caves in Arabia land have magic lamps and genies. Even though normally fire only burns and cannot break the laws of physics by causing steel beams to be cut at 45-degree angles thereby totally obliterating skyscrapers that were hundreds of stories high in a matter of seconds. Most fires also do not burn hot enough to leave molten steel in the basements weeks after the event... but with a magic genie it can be done IF it happened to be one of the three wishes every genie grants anyone who rubs his lamp. For more information on how this works watch the animated movie "Aladdin." They have the same funny hats and everything, so it's quite obvious.

Now I know what you're thinking: the Genie says he cannot carry out a wish to kill anyone. BUT you see... Bin Laden found a loop-hole. He did not say, "Kill those people in WTC!" He said, "Explode the buildings and make them fall into their own footprints as if they were blown up by controlled demolitions." That way the genie did not actually kill anyone he just made some buildings disintegrate and it just so happened that the COLLAPSING BUILDINGS killed a few thousand people. It was from this loop-hole in the 'wish formula' that Bin Laden could achieve his diabolical plan using his self-reincarnating hijackers with magic mushrooms and super-fire that acts like bombs - including in a building that was not even hit by a plane!

One thing nutty conspiracy theorists always bring up is the fact that the BBC said Building 7 had fallen when it was still standing. So what? Everybody knows that London, England, is 5 hours ahead of New York! As the BBC studio is in London, it had already happened THERE. Sheesh! Do we have to explain EVERYTHING to these conspiracy nuts?


Now in the Pentagon attack they did not need super-fire because the building was already low to the ground so remote control software was not used. No, it was the mushroom-munching, self-regenerating pilots that went out of their way to create a trail of evidence pointing to themselves - including a bag with a list of their names written in a neat hand, a driver's license and even a fire-resistant passport.

Later, anthrax letters linking the attacks to Israel's genocidal attacks against an indigenous Palestinian population in an apartheid state practising legalized torture and open ethnic cleansing, appeared in the press from addresses only 7 miles from Urban Moving Systems - a fake moving company that had been in and out of the WTC towers three weeks prior to September 11th. Were they a front for the Mossad whose agents posed as art students? No way!

This in no way implicates Israel in the attacks. After all, we know the anthrax was stolen by a Zionist Jew former worker (fired for being racist) from a fort in Maryland who was caught on tape entering the lab where the anthrax was scientifically proven to have come from. The fabricated tape of dancing Palestinians and the content of the anthrax letters was pure coincidence. As were the drills of the exact same event as 911 being done the morning of 911 which in no way could act as a cover should things go sour. And the MSM running the unscreened bogus tapes about Palestine on the evening of 9/11 was nothing like their stupid reports on people wearing yellow stars in Iran or the Straits of Hormuz event. Oh wait. Yes it was. (P.S. RFK was also killed by a Palestinian and not the CIA; likewise his brother JFK was shot by a lone gunman with a magic bullet that could change direction in mid-air and even cause the president's brain to go "missing" the way Dov S. Zakheim "disappeared" 2.3 trillion dollars from the Pentagon's bank account. But it's not like Dov S. Zakheim was the investigator for the 1993 WTC attacks... ha ha ha... oh wait a miniute, yes he was!

Dov S. Zakheim, Bush-appointed Pentagon financial comptroller from 2001-2004 under whose watch USD2.3 trillion disappeared. Zakheim also heads a research corporation called SPC International which holds the patent for Raytheon's Global Hawk remote controlled flight system. In 1993 Zakheim's firm Tridata took over management of the WTC security system. Zakheim is also a member of the Council on Foreign Relations and worked on the Project for the New American Century which advocates the necessity for a Pearl Harbor-type "incident" to mobilize the country into war with its enemies, mostly Middle Eastern Muslim nations. Intriguing, eh?

The Israelis caught dancing on the scene who had 5k stuffed in a sock and drove a van that got a hit from bomb-sniffing dogs, who just so happened to work for the Mossad (and were filming the entire event because their ESP powers had informed them something spectacular was about to happen) were then released by the FBI run by a dual citizen Zionist named Michael Chertoff whose cousin works for Popular Mechanics and was part of the 911 cover-up. But that is all just a big co-winky-dink. Happens all the time you know.

I often drive around downtown New York with a few grand stuffed in a sock in a vehicle with explosive residue and set up my camera to film terrorist attacks I have a hunch are about to happen; and then I dance like it's the greatest moment of my life. This is typical behavior, especially for people in covert intelligence agencies. Nothing fishy about that.

They are innocent. It was not the guys in New York filming the event and celebrating, who just happened to work for an intelligence agency known for false flags. It was the dancing children in Palestine who did the attack. I mean, which is more plausible? Come on. Israel can't do anything wrong plus "it was on Fox News." Plus all the evidence linking the Israelis to the attack is "classified." "Classified" is another powerful magic word. It means do whatever the hell you want and obstruct any attempt to investigate properly.

Later a pre-written 300-plus page bill was introduced by another Israeli dual citizen and got passed without even being read and then a new department called Homeland Security was created and the head honcho turned out to be the same guy who released the busted Mossad agents. Ha ha... pure synchronicity, you know.


Cheney, who ordered NORAD to stand down, was NOT rewarded by a 3000% increase in the value of Halliburton stock. His wife, the president of Lockheed, did not notice that Lockheed won the largest war contracts in the history of the world. Cheney was not paid off or rewarded in any way, because that would cause unnecessary suspicion. Oh, and there were also no 'put' options on that day or the week prior. And President Bush's brother, Marvin, was not the CEO of the insurance firm that sold a multi-billion-dollar policy to Larry Silverstein, who leased WTC a few months before September 11th. I mean, how would all that look?! Oh wait. If it is not on ABCNNBCBSFOX then it can't possibly exist. In the immortal words of New Age Guru Karl Rove: "We create our own reality."

[First posted 24 June 2008]

Saturday, June 18, 2022

NO IMAGE EVER GOES TO WASTE... (expanded)


Nik Aziz loyalists watch in horror as Nasharudin Mat Isa 
returns after a night out with Najib.

Two who never found their way home from the PAS-UMNO unity talks.

The Erdogan Pussycat snug in the bosom of Sisters in Islam...

WARNING TO OWNERS OF CLAMSHELL CELLPHONES...
UNSUPERVISED USE CAN CAUSE IMPOTENCE!

Bottom-sniffers of the world, unite!

Another Kodiak moment.

Age-old question: is there humor in music?
In Michael Leunig We Trust...

Post begins with a pee.

How Vincent lost an ear.

Inspired Godzilla tat







Thursday, May 26, 2022

Shooting ourselves in the foot (over and over again)...

Biro Tatanegara (or the National Indoctrination Bureau) was established in 1974 during Tun Razak's tenure. But it took around ten years to evolve into the sinister operation that has been getting a load of negative publicity in recent days.

The fact that BTN is an adjunct of the Prime Minister's Department makes it a convenient mechanism for the systematic dissemination of the official doctrine throughout the rank and file of the civil and diplomatic services. BTN also ensures that the academic bureaucracy adheres to Umno's official doctrine of Ketuanan Melayu and loyalty to the government.

Some who have been processed through the BTN experience and survived with their minds intact and independent report that the BTN's agenda is insidiously racist and deliberately divisive. Unthinking conformity is what the Biro Tatanegara is really all about.

The desire to imprint the rulers' ideology on all subjects is a hallmark of every patriarchal society. After all, the words "pattern" and "paternal" share the same etymology, namely, issuing from the Pater or Father.

And isn't it true that every Father wants his children to be, above all, obedient? The Old Testament - specifically, Genesis - portrays disobedience as the Original Sin.

Fast-forward to the Digital Era where being at the cutting edge requires thinking out of the box, an adventurous and innovative spirit, and a willingness to break the rules.

Where do our BTN graduates stand in the 21st century world of instant communications and nanotech? You can invest billions in an artificial city called Cyberjaya - but, unless you import all the talent, you're not going to find many innovators emerging from local institutes of learning.


In the first place, genuflecting before your social superiors is hardly conducive to nurturing creative genius. Don't forget Tuan is a contraction of Tuhan - and a culture that compels an individual to submit to God will always extend that compulsion to submitting before God's representatives on Earth, namely the Monarchs.

Talented and inspired brainiacs like Elon Musk, Brian Acton and Jan Koum (who developed PayPal and WhatsApp) aren't the type who can handle too much protocol - unless you're referring to computer protocols.

Indeed, a distinguishing feature of cybernetic wizards is their disdain for red-tape and formality. Imagine the fun the pioneers of IT had naming everything from scratch. How did they come up with "mouse" for the device with which you navigate the screen? Or a name like Yahoo! for an all-purpose portal?

Let's say you're the Sultan of Selangor and you're accustomed to being addressed formally as Duli Yang Maha Mulia Sultan Sharafuddin Idris Shah Al-Haj ibni Almarhum Sultan Salahuddin Abdul Aziz Shah Al-Haj (best to leave out the interminable list of honorary titles).


So what happens when the Sultan becomes IT savvy and buys himself a Macbook? He's going to be using email and you can't possibly have such an unwieldy name in your email address. He could shorten it to sultan_idris@istana-selangor.my or perhaps even idris@istana-selangor.my - and in so doing he would be dispensing with cumbersome formality. In all probability, he would write in normal language when sending emails to his buddies, instead of adhering to traditional court language. Indeed, if he were to try his hand at internet chat, he'd probably want to conceal his royal status with a funky nick like "nicerichboy" or "hrh1."

This is what happens when human consciousness shifts from analog to digital mode. Traditionalists may scorn the way kids today have murdered language by coming up with SMS terms like :-) or LOL or 2moro or CU. But you have to admit there's a certain appeal in adopting newfangled computer symbols like @ or signing off with an ASCII heart, thus: <3 - and, as these new memes spread like some species of computer virus, the near-lightspeed movement of binary codes and pixels across the planet's fiber-optic highways swiftly creates a far more egalitarian social template than any theory of human evolution could ever have predicted. That's why I always ROTFLMAO whenever I hear potato-headed politicians like the education and communications ministers urging Malaysians to be "more innovative" and to prepare themselves for the rapid shift to "a knowledge-based economy."

You guys wouldn't recognize a creative genius even if one snuck up and poked you playfully in the butt. I bet you didn't realize a lot of creative geniuses look just like that troublemaker Namewee @ Wee Meng Chee whose citizenship you once wanted to revoke because he "insulted" the national anthem (as though a song could possibly be offended by some 23-year-old rapper doing an off-the-wall cover version of it).

Well, if that's what you really want, you're really gonna regret it when you finally get it, Messrs Muhyiddin and Mail. Do you know why? Because no creative genius will give a fuck how much you paid for your designer silk batik ties nor will they be too impressed by all the guff that issues from your political mouths. Keep the population dumb and conformist with your goddam BTN, if you wish to enjoy your VVIP status and your ridiculous robber baron perks. But don't you dare lament the fact that Malaysia has been left way behind every other country.

Up till now you've had it good siphoning off our collective wealth with all the natural resources the land has produced - and things got even sexier when oil was found off our coast. However, some say the oil reserves will be depleted within a few years - and then how are you going to maintain your extravagant lifestyle? Revert to piracy and slave-trading?

[First published 28 November 2009, reposted 26 May 2012]

Friday, May 20, 2022

Flesh of the Ancestors (revisited)

On 17 March 2010, forty busloads of Orang Asli descended on Putrajaya to air their grievances directly to the prime minister. They were prevented by police from marching to the PM's office, but their strong showing and vigorous protest made the headlines in Malaysiakini. I am heartened to note that the worm has finally turned and that our indigenous tribes are no longer politically passive. As a tribute to their semangat (fighting spirit), I'm reposting this essay originally published here on 29 January 2007 and reposted 17 March 2010...


I can relate to the French painter Gauguin who took a libidinal shine to the native girls of Tahiti. There is something irresistible about bronze, rubbery, supple, brown skin - and the edenic innocence that flashes in their shy smiles. Pagan eyes that turn prudish at puberty, because their mothers keep yelling "Malu!" ("Shame!") when they skinny-dip with ripening bosoms and pubes. Contact with "civilization" taught them to feel ashamed of their own simplicity, made them into "primitives" living below the poverty line.

And yet, seeing a bunch of Orang Asli kids play like otters in the river is nothing less than a glimpse of paradise. You can't stay cynical or depressed in such an environment. The verdant landscape itself is balm for the eyes, as much as the sparkling waters are a treat for the senses.

The Orang Asli soul is bonded with the land, the living earth, nature itself. In mythic terms they regard their wild habitats as the petrified flesh of their ancestors.

Just as Native Americans once revered the buffalo as a benevolent manifestation of Wakan Tanka (Great Spirit), a parental sacrifice to feed the children, the Temuan view each species of flora and fauna as a gift from heaven, as food, medicine, friend, or shelter.

The younger ones have all but forgotten, born as they were into homes with TV sets bombarding all and sundry with images of a Brave New World, where ancient wisdom and traditional ways are dismissed as irrelevancies or mere superstition. But the older ones know there is no separation between the land and life itself.

To destroy nature is to murder the Life Force that sustains all existence - and therefore it is viewed as the ultimate wrongdoing, akin to forgetting one's roots and turning one's back on all that is considered divine.

Well, that's a very general overview of the Temuan mythos, which applies to just about every indigenous culture you can name - at least the ones that haven't been completely assimilated and subsumed by industrial society. However, admiring their resilience of spirit, their innocence, and their wealth of hand-me-down knowledge is one thing. Living with them at close quarters is quite another. They can certainly drive an essentially middle-class, former urbanite like myself round the bend with exasperation.

There seems to be a testosterone-related problem with the males: as soon as they turn 18, a sullen surliness bordering on xenophobia grips them. The modest wages they earn cutting grass on road verges or gathering bamboo for the Chinese towkays are mostly spent getting totally pissed at the local bar; and then they fall off their motorbikes and the rest of their hard-earned pay goes into repairing them. If they happen to be married with kids, their wives quickly turn into nags - because it's not uncommon that their husbands will stagger home late at night stinking of cheap plonk, without any food for the family. Apparently, this happens wherever indigenous "dreamtime" cultures collide with industrial "machinetime" societies. Anthropologists generally agree that the trauma of "culture shock" so disorientates the tribal folk they become dispirited - and therefore attempt to regain their spirits by imbibing vast amounts of the bottled variety.


But as long as our tribal folk have the forest to return to, they have a chance of eventually regaining their psychic equilibrium. My chief contractor on the Bamboo Palace project, Yam Kokok, really enjoyed the process of gathering about 3,000 bertam leaves to weave into roofing material for Anoora's hut. First he built a cozy lean-to while his wife began lining bamboo tubes with fragrant leaves, before stuffing them with rice to boil on a woodfire. The widow Lumoh had packed some salted fish and bottles of clear spring water. They were all set for a long day's work, cutting the thorny bertam leaves and carefully weaving them into attap. Yam Kokok's grandson and nephews all came along to help and I could see that the six days they spent "camping out" in the forest reminded them of the good old days - even though every evening I'd pick them up in my van and chauffeur them back to the village and some home comforts.

The forest is the Orang Asli's briar patch; their racial memory of being sustained by Mother Nature goes back thousands of generations. Chop down the trees and replant the land with cash crops like rubber and oil palm - and the Orang Asli become rootless, disconnected from their own past, insecure about their future and therefore apathetic.

True, some of the younger generation have adapted quite well to video games and factory jobs; a handful of Semai and Semelai have even made it all the way through university, and have become academics and doctors.

A year ago or so I was contacted by three enterprising young Temuans with university degrees. They told me they had stumbled upon my website back in 2003, but waited till they were fluent in English to send me an email! One of them, Shahar Koyok, is a fine arts graduate who's beginning to make his mark in the local art scene; another, Mor Ajani, graduated in multimedia design and maintains a Temuan blog. What deeply gratified me was their passionate interest and pride in their own mythic roots.

It's easy to demonize the Jabatan Hal Ehwal Orang Asli (Aboriginal Affairs Department) but it's really just a case of horribly misaligned worldviews. JHEOA officers, mostly urbanized Malays, scorn their own humble ancestry and sincerely believe they can persuade the Orang Asli to join the mainstream Malay community. Their strategy is two-pronged: first, systematically convert the jungle into plantations, so the Orang Asli can't hide in the past; and then convert these diehard animists into pious little Muslims.

I've long advocated that the JHEOA (instituted in 1954 during the Emergency years) be dismantled, as it serves little real purpose today except to breed the most loathsome varieties of bureaucratic ineptitude and corruption.

Think about it: how would you like being treated as a minor all your life and have some government agency manage your affairs as if you were severely retarded? If everybody else who enjoys Malaysian citizenship is free to live without an official guardian, why must our first peoples endure such an ignominy?

The argument that Orang Asli need a "protector" because they are still largely illiterate and can't cope with the demands of the modern world is a totally spurious one. First of all, after more than fifty years under the JHEOA's thumb, the Orang Asli have gained little ground in mastering left-brained activities like learning to manipulate alphanumeric symbols. The question is: why not capitalize on their strengths instead?

Most Orang Asli are physically agile, imaginative, fun-loving, and possess incredible stamina: in areas like sports and the arts, they would certainly be champs. Well, some descendants of African slaves in America have made their mark as athletes, musicians, actors, and dancers: would you think of Charlie Mingus, Michael Jordan, B.B. King, Eddie Murphy, Tina Turner, Ludacris, or Will and Jada Pinkett Smith as handicapped or backward?

What keeps the Orang Asli insulated from the outside world is the Jabatan Orang Asli's feudal mentality. That and the noxious effects of a patriarchal bias the Orang Asli got infected with along the way. Traditionally, the menfolk have been the hunters and womenfolk, the gatherers and nurturers.

In Kampung Pertak, there are quite a few unmarried mothers - girls of 17 who got knocked up after some smooth-talking fellow handed them a Guinness at an all-night wedding party. With so many kids bawling and crawling around the house, 12-year-old girls are often forced to look after their younger siblings while both parents are out working. By the time they reach 15 or 16, many end up as mothers themselves, which gives them little time or opportunity to grow mentally. So we have generation after generation of Orang Asli kids raised by completely ignorant mothers with little on their minds apart from neighborhood gossip and a bleak view of marital life.

All this would change if teenaged dating was accepted as something perfectly natural. When I first asked my mother-in-law if I could take Anoora down to town and buy her a meal, I was told we would have to be engaged before she would allow it. In other words, the relationship between men and women is always a sexual one; post-pubescent boys and girls simply cannot be friends and go out together. They end up getting married very young, prompted by hormonal surges, and never really have the chance to interact with a variety of friends, of different ages and genders, and therefore lack the means of acquiring communication skills and a broader perspective on things.

Most families in the past slept together in one large room with no partitions - or only very thin ones, at best. Obviously, sex was something carried out under cover of darkness, furtively, quietly (so as not to wake the kids), almost involuntarily - and never became an artform, or developed any degree of kinkiness, as it has in the cities.

I witnessed what happened when a young friend of mixed parentage from the big city started dating a village beauty from Pertak. On their very first secret rendezvous, she had asked if he was going to marry her (that's what he reported). Soon, the whole village was bristling with resentment at the urban Romeo. Even little children, no more than 8 or 9 years old, would taunt him as he drove past; the men in the village became more and more hostile, sabotaging his vehicle wherever he parked it, glaring at him with hands on their parangs. Posses of grandmothers and babes-in-arm would confront him at his rented lodgings in the village, demanding to know where he was hiding the girl. They gave him no peace until he buckled under the pressure and married the girl in a tribal ceremony.

Now the girl in question has had several lovers, and at 18 gave birth unexpectedly to a baby girl while trying to move her bowels, thinking it was one huge stomach upset she was experiencing. As to be expected, she's a lot more savvy and sophisticated than the other girls in the village. She could certainly learn to cope with life in the city, and has actually expressed a desire to someday get a job in KL.

Now, is there any correlation between an active sex life and intellectual curiosity? Remember that biblical myth about the forbidden fruit? Sex, drugs and rock'n'roll (or hip-hop or techno-rave, if you prefer) are definitely evolutionary triggers - that's why the patriarchy everywhere is so determined to outlaw them. What would happen to the Orang Asli if their youth got into sex, drugs and rock'n'roll in a big way?

Soon, they'd become pretty much the same as you and me, don't you think? And maybe that will prompt cityfolks to adopt more of the Orang Asli lifestyle - to reconnect with the earth, with Mother Nature, fresh air and sunshine. Sort of a cultural exchange: they become more experienced like us, and we become more innocent like them. Perhaps that's how things will ultimately balance out, and paradise will be regained on earth.

------
Recommended reading:

Proposed Orang Asli land policy: Planned poverty? [Aliran]

[First posted 24 May 2014]

Friday, May 13, 2022

Flesh of the Ancestors (reprise)

Halus in 1999 (photo: Colin Nicholas)

I can relate to the French painter Gauguin who took a libidinal shine to the native girls of Tahiti. There is something irresistible about bronze, rubbery, supple, brown skin - and the edenic innocence that flashes in their shy smiles. Pagan eyes that turn prudish at puberty, because their mothers keep yelling "Malu!" ("Shame!") when they skinny-dip with ripening bosoms and pubes. Contact with "civilization" taught them to feel ashamed of their own simplicity, made them into "primitives" living below the poverty line. 

And yet, seeing a bunch of Orang Asli kids play like otters in the river is nothing less than a glimpse of paradise. You can't stay cynical or depressed in such an environment. The verdant landscape itself is balm for the eyes, as much as the sparkling waters are a treat for the senses. The Orang Asli soul is bonded with the land, the living earth, nature itself. 

In mythic terms they regard their wild habitats as the petrified flesh of their ancestors. Just as Native Americans once revered the buffalo as a benevolent manifestation of Wakan Tanka (Great Spirit), a parental sacrifice to feed the children, the Temuan view each species of flora and fauna as a gift from heaven, as food, medicine, friend, or shelter. 

The younger ones have all but forgotten, born as they were into homes with TV sets bombarding all and sundry with images of a Brave New World, where ancient wisdom and traditional ways are dismissed as irrelevancies or mere superstition. 

But the older ones know there is no separation between the land and life itself. To destroy nature is to murder the Life Force that sustains all existence - and therefore it is viewed as the ultimate wrongdoing, akin to forgetting one's roots and turning one's back on all that is considered divine. 

Well, that's a very general overview of the Temuan mythos, which applies to just about every indigenous culture you can name - at least the ones that haven't been completely assimilated and subsumed by industrial society. However, admiring their resilience of spirit, their innocence, and their wealth of hand-me-down knowledge is one thing. Living with them at close quarters is quite another. They can certainly drive an essentially middle-class, former urbanite like myself round the bend with exasperation. 

There seems to be a testosterone-related problem with the males: as soon as they turn 18, a sullen surliness bordering on xenophobia grips them. The modest wages they earn cutting grass on road verges or gathering bamboo for the Chinese towkays are mostly spent getting totally pissed at the local bar; and then they fall off their motorbikes and the rest of their hard-earned pay goes into repairing them. If they happen to be married with kids, their wives quickly turn into nags - because it's not uncommon that their husbands will stagger home late at night stinking of cheap plonk, without any food for the family. 

Apparently, this happens wherever indigenous "dreamtime" cultures collide with industrial "machinetime" societies. Anthropologists generally agree that the trauma of "culture shock" so disorientates the tribal folk they become dispirited - and therefore attempt to regain their spirits by imbibing vast amounts of the bottled variety. But as long as our tribal folk have the forest to return to, they have a chance of eventually regaining their psychic equilibrium. My chief contractor on the Bamboo Palace project, Yam Kokok, really enjoyed the process of gathering about 3,000 bertam leaves to weave into roofing material for Anoora's hut. First he built a cozy lean-to while his wife began lining bamboo tubes with fragrant leaves, before stuffing them with rice to boil on a woodfire. The widow Lumoh had packed some salted fish and bottles of clear spring water. They were all set for a long day's work, cutting the thorny bertam leaves and carefully weaving them into attap. 

Yam Kokok's grandson and nephews all came along to help and I could see that the six days they spent "camping out" in the forest reminded them of the good old days - even though every evening I'd pick them up in my van and chauffeur them back to the village and some home comforts. The forest is the Orang Asli's briar patch; their racial memory of being sustained by Mother Nature goes back thousands of generations. Chop down the trees and replant the land with cash crops like rubber and oil palm - and the Orang Asli become rootless, disconnected from their own past, insecure about their future and therefore apathetic. 

True, some of the younger generation have adapted quite well to video games and factory jobs; a handful of Semai and Semelai have even made it all the way through university, and have become academics and doctors (though I know of no such examples from the Temuan tribe). It's easy to demonize the Jabatan Orang Asli (Aboriginal Affairs Department or JAKOA) but it's really just a case of horribly misaligned worldviews. JAKOA officers, mostly urbanized Malays, scorn their own humble ancestry and sincerely believe they can persuade the Orang Asli to join the mainstream Malay community. 

Their strategy is two-pronged: first, systematically convert the jungle into plantations, so the Orang Asli can't hide in the past; and then convert these diehard animists into pious little Muslims. I've long advocated that JAKOA (instituted in 1954 during the Emergency years) be dismantled, as it serves little real purpose today except to breed the most loathsome varieties of bureaucratic ineptitude and corruption. 

Think about it: how would you like being treated as a minor all your life and have some government agency manage your affairs as if you were severely retarded? If everybody else who enjoys Malaysian citizenship is free to live without an official guardian, why must our first peoples endure such an ignominy? The argument that Orang Asli need a "protector" because they are still largely illiterate and can't cope with the demands of the modern world is a totally spurious one. 

First of all, after more than fifty years under the JAKOA's thumb, the Orang Asli have gained little ground in mastering left-brained activities like learning to manipulate alphanumeric symbols. The question is: why not capitalize on their strengths instead? Most Orang Asli are physically agile, imaginative, fun-loving, and possess incredible stamina: in areas like sports and the arts, they would certainly be champs. Well, some descendants of African slaves in America have made their mark as athletes, musicians, actors, and dancers: would you think of Charlie Mingus, Michael Jordan, B.B. King, Eddie Murphy, Tina Turner, Ludacris, or Will and Jada Pinkett Smith as handicapped or backward?

What keeps the Orang Asli insulated from the outside world is the Jabatan Orang Asli's feudal mentality. That and the noxious effects of a patriarchal bias the Orang Asli got infected with along the way. Traditionally, the menfolk have been the hunters and womenfolk, the gatherers and nurturers. In Kampung Pertak, there are quite a few unmarried mothers - girls of 17 who got knocked up after some smooth-talking fellow handed them a Guinness at an all-night wedding party. With so many kids bawling and crawling around the house, 12-year-old girls are often forced to look after their younger siblings while both parents are out working. By the time they reach 15 or 16, many end up as mothers themselves, which gives them little time or opportunity to grow mentally. 

So we have generation after generation of Orang Asli kids raised by completely ignorant mothers with little on their minds apart from neighborhood gossip and a bleak view of marital life. All this would change if teenaged dating was accepted as something perfectly natural. When I first asked my mother-in-law if I could take Anoora down to town and buy her a meal, I was told we would have to be engaged before she would allow it. 

In other words, the relationship between men and women is always a sexual one; post-pubescent boys and girls simply cannot be friends and go out together. They end up getting married very young, prompted by hormonal surges, and never really have the chance to interact with a variety of friends, of different ages and genders, and therefore lack the means of acquiring communication skills and a broader perspective on things.

Most families in the past slept together in one large room with no partitions - or only very thin ones, at best. Obviously, sex was something carried out under cover of darkness, furtively, quietly (so as not to wake the kids), almost involuntarily - and never became an artform, or developed any degree of kinkiness, as it has in the cities. 

I witnessed what happened when a young friend of mixed parentage from the big city started dating a village beauty from Pertak. On their very first secret rendezvous, she had asked if he was going to marry her (that's what he reported). Soon, the whole village was bristling with resentment at the urban Romeo. Even little children, no more than 8 or 9 years old, would taunt him as he drove past; the men in the village became more and more hostile, sabotaging his vehicle wherever he parked it, glaring at him with hands on their parangs. Posses of grandmothers and babes-in-arm would confront him at his rented lodgings in the village, demanding to know where he was hiding the girl. 

They gave him no peace until he buckled under the pressure and married the girl in a tribal ceremony. Now the girl in question has had several lovers, and at 18 gave birth unexpectedly to a baby girl while trying to move her bowels, thinking it was one huge stomach upset she was experiencing. As to be expected, she's a lot more savvy and sophisticated than the other girls in the village. She could certainly learn to cope with life in the city, and has actually expressed a desire to someday get a job in KL. 

Now, is there any correlation between an active sex life and intellectual curiosity? Remember that biblical myth about the forbidden fruit? Sex, drugs and rock'n'roll (or hip-hop or techno-rave, if you prefer) are definitely evolutionary triggers - that's why the patriarchy everywhere is so determined to outlaw them. What would happen to the Orang Asli if their youth got into sex, drugs and rock'n'roll in a big way? 

Soon, they'd become pretty much the same as you and me, don't you think? And maybe that will prompt cityfolks to adopt more of the Orang Asli lifestyle - to reconnect with the earth, with Mother Nature, fresh air and sunshine. Sort of a cultural exchange: they become more experienced like us, and we become more innocent like them. Perhaps that's how things will ultimately balance out, and paradise will be regained on earth. 

NEWSFLASH: Tanah Tujuh: Close Encounters with the Temuan Mythos will be launched by Silverfish Books during the Kuala Lumpur International Literary Festival, 28-30 March 2007!

[First posted 29 January 2007]

Wednesday, May 11, 2022

MORE THAN A MERE FESTIVAL (repost)

Opening Ceremony and Welcome Party, 12 July 2007

RAINFOREST WORLD MUSIC FESTIVAL (13-15 JULY 2007): the 10th edition of Sarawak’s best and biggest gawai*

It gets harder and harder to review Sarawak’s Rainforest World Music Festival without sounding like someone who’s had a lobotomy and can’t stop grinning like an imbecile. Especially when this was the great 10th anniversary reunion we’d been anticipating since the end of last year’s bash.

So I’ll start from the bottom of the scale of joy with the unmistakable pong of dogshit as I checked into my room at the Santubong Resort, which houses the performers and media guests every year. Then I noticed the dogs and their handlers stationed around Cell Blocks 8 and 9 (which accentuated the penitentiary architecture of this remotely-located 3-star hotel all the more). I found out later the dogs were part of a bomb-sniffing team imported from the Philippines for the occasion. The Sarawak Tourism Board was taking no chances. A 55-man security team from Miri was on hand to scan festival-goers at the entrance with metal detectors. Sign of the paranoid times…

But the moment the music begins the untameable magic of Santubong kicks in… and petty discomforts like the clammy heat and long queues for the shuttles fade from memory. How many sweet and sweaty bodies were counted on Saturday night alone, grooving to the music? 9,000…11,000? I don’t know, but from where I stood near the stage it was certainly the hugest crowd I’ve seen since the festival’s quiet start in 1998.


On the bill were 19 of the hottest acts drawn from the previous nine years: Black Umfolosi, the ever-popular gumboot-dancing a capella group from Zimbabwe made their third appearance – and, once again, had the crowd waving their hands and singing “The Lion Sleeps Tonight” in perfect unison. Gets a tad tiresome for the jaded ones like me – but it’s soulful stuff, I admit.

Black Umfolosi strut their stuff on the first night of the festival

Also on their third round were Shooglenifty – the Edinburgh-based “acidcroft” band that’s been cranking out their own brand of funky Celtic fusion since 1990 and has acquired a laid-back sophistication along with an iconic mystique. Core members Angus Grant (fiddle), Garry Finlayson (banjo), Malcolm Crosbie (guitar), and James MacIntosh (drums) were a joy to behold in action; Luke Plumb, their 28-year-old mandolin player from Tasmania, combined teen appeal with prodigious technique, and new bassist Quee MacArthur was rock solid (though I found myself missing their former bassist Conrad Ivitsky’s syncopative agility).

Shooglenifty rides again at the Rainforest World Music Festival!

The third band to have played three times at the RWMF was Inka Marka – a South American group based in Melbourne. As usual, their mellifluous voices blended with panpipes, charango, and flute to conjure the uplifting poignancy of the Andes.

The Tuvan throat-singers of Huun Huur Tu teamed up once again with Russian techno-trance band Malerija to effect a molecular shift amongst the tranced-out crowd. The first time they performed in 2003 there was a full moon which magnified the general euphoria.

From Madagascar we had Tarika Be, featuring the alluring sisters Hanitra (pronounced “Anch”) and Noro, with an instrumentalist named Njaka in tow, whose sensitivity as a musician was remarkable for one so young.

Hanitra’s songs of freedom, courage, and nonconformity – and her irresistibly sexy stage image – were in stark contrast to her demure and prayerful solo performance on the small stage, accompanied only by the delicate lyricism of Njaka’s valihy (a bamboo zither originally from Borneo, which has strong genetic and cultural links to Madagascar).

Throughout the three days the general atmosphere was one of jubilation and joy. There was one outbreak of drunken aggro, promptly managed by the security crew, but the greatest annoyance by far were several loudmouthed sons-of-lumberjacks who insisted on jabbering inanely near the stage during quiet moments. However, even the intrusive foreground noise (compounded by the moans and sighs of tabla-player Siar Hachimi’s all-girls fan club) couldn’t deter Ensemble Kaboul from delivering a superb and heartfelt performance.

Khaled Arman, master of the rebab (which he plays like a sitar) engages with Siar Hachimi on tabla

Mas Y Mas captured in action on 13/07/07 by Antares

Arguably the biggest hit this year were Mas Y Mas – an entire Latin Afro-Cuban orchestra compressed into an ebullient trio from Nottingham, U.K. Featuring a spritely Wayne D. Evans on a hundred-year-old doublebass, Richard Kensington on percussion, and the incredibly talented Rikki Thomas-Martinez on guitar and lead vocals, Mas Y Mas (which means “more and more”) are indeed well-named. Every time they played - on stage or at their Latin Rhythms workshop - people kept demanding more and more of their infectious music and wit. Mas Y Mas first played at the RWMF in 2004 and instantly fell in love with Malaysia. Certainly it’s been a love reciprocated.

The Doghouse Skiffle Group from Hull went down pretty well too, considering the trio specializes in tongue-in-cheek cowboy tunes. Keith Cheesman held it together with his chunky rhythm guitar, Alan Harman did smirking chimp impersonations while thumping his one-string tea-chest bass, and Garry Pullen mesmerized the crowd with Hopalong Cassidy poses, Texan boots, and whimsical kazoo and washboard solos. Their audacious cover of the Beatles’ A Day in the Life (introduced as “an old English folksong”) qualifies them as past masters of their craft.

At their first appearance two years ago the Foghorn Stringband from Oregon got the crowd square-dancing under the stars. As traditional American country bands go, Foghorn plays as tight as it gets – but after three numbers their songs start sounding pretty much the same. From Peninsular Malaysia we had the Aseana Percussion Unit which features gifted homegrown percussionists like Kamrul Bahri Hussin and Kirubakaran. The group’s colourful exuberance and its muhibbah repertoire of crowd-pleasing numbers carried it through – but they were conspicuously lacking in emotional depth and musical substance.

Khac Chi
, a versatile, Vancouver-based husband-and-wife act from Vietnam, are in a class of their own in terms of sheer musical skill and entertainment value. They travel with a portable museum of traditional and homemade instruments – mostly bamboo, with a few constructed by Chi himself from rubber honkers.

Bich and Chi have perfected a workshop routine with high amusement and amazement quotients

Also from Vancouver was the venerable multi-instrumentalist Randy Raine-Reusch (who proposed the idea of the RWMF ten years ago and served as festival director for the first few years). Randy’s presence as “proud daddy” added to the celebratory atmosphere - while his astonishing prowess on an exotic array of ethnic instruments was an education in itself. His inspired but all-too-brief performance - brilliantly backed by Johari Morshidi and Ainal Johari on percussion - encapsulated the essence of what “world music” is all about.

Randy Raine-Reusch & Tabuh Pak Ainal improvise on dulcimer, djembe and Malay drums

Sarawak was represented by sape virtuoso Jerry Kamit; a dynamic father-and-son percussion act called Tabuh Pak Ainal (named after Johari Morshidi’s precocious 16-year-old son Ainal, who began performing at 7); and the 30-member Kelapang Kelabit Bamboo Band (whose early set I unfortunately missed).

Mah Meri ceremonies and rituals are a rare and spectacular visual feast

However, I was very glad I caught the Mah Meri of Carey Island in action. Theirs was a visually spectacular act, rarely seen outside the confines of tribal tradition, and I was impressed by how impeccably they presented themselves before such a huge crowd of strangers. Another great opening act I witnessed was the item by Anak Adi’ Rurum – a beautiful bunch of Kelabit youngsters under the tutelage of Nikki Lugun whose sincerity and passion to preserve a fading culture brought an unexpected tear to the eye.

Tammorra, a rousing Sicilian group with impressive vocal power and musicality, was a very welcome rerun. As was Shannon from Poland – a big hit in 2005 with their virile Celtic folkrock sound. However, this time around, the band had evolved in a different direction with a major change of personnel: Marcin Drabik had joined them on electric violin with a flamboyance reminiscent of Jean-Luc Ponty on steroids, and band leader Marcin Ruminski’s delectable fiancée Maria Namyslowska was featured on keyboards and vocals, contributing not only a feminine element but also fresh musical ideas. Not everybody was pleased with the new Shannon sound – but I found it ecstatic, triumphal, adventurous, and even more danceable.

As is often the case, the real finale happened spontaneously after the festival – when Enrique Sanchez (Inka Marka) and Rikki Thomas-Martinez (Mas Y Mas) began singing romantic Latin duets at the poolside and Garry Finlayson (Shooglenifty) whipped out his banjo and proceeded to play some exquisitely epiphanic riffs. Soon the Foghorn fellows began insinuating their prudish 4/4 beats into the mix - but just as I was on the verge of wandering off to bed, a few members of Black Umfolosi jumped in with their Zulu chants and transformed the cowpokes into true-blue world musicians. I finally dragged myself from that festive scene with the trill of magpies serenading the dawn.

EPILOGUE

The Sarawak Tourism Board has done such a great job with the Rainforest World Music Festival it has now become a famous fruit-bearing tree whose seeds are being planted in other gardens. Indeed, Penang just hosted its first world music festival from July 20-22 with RWMF artistic director Yeoh Jun Lin leading the team. And rightly so, for Ms Yeoh herself was originally a product of Penang.

PHOTOS COURTESY OF THE SARAWAK TOURISM BOARD
VIDEO CLIPS © ANTARES/MAGICK RIVER

[More video clips will be added as I finish editing and compressing. Bookmark this blogpost and return over the next few days for more great moments from RWMF 2007!]
*This review first published @ kakiseni.com
First posted 26 July 2007, reposted 11 October 2020