A Comment on Reptile Loathing (Dragon Mating Season repost)

From my personal perspective, what David Icke and John F. Winston report about reptilians running the show is pretty much indisputable. However, those of us who remember our Id/Enki lineage feel it's unfair to lump all reptoid entities in the same Fear and Loathing category. I've seen myself turn into a lizard-like entity several times in my life, and there are moments when I find myself amazed at how cold and unfeeling I can be.

I surmised, then, that we aren't just reptiles or mammals or Grey-hybrids or humans or cetaceans or whatever - most of us are a COMPLEX BLEND OF MULTIPLE GENETIC LINEAGES. That's what makes this planet such an incredible bio-lab and nursery of new life forms - her allowance for MULTI-DIMENSIONAL, INTER-SPECIAL VARIETY.

I've always felt great empathy for the Serpent in the Garden of Eden story. When I learned that another manifestation of Solar Christ Consciousness was actually called the "Plumed Serpent" Quetzalcoatl (or Kukulcan to the Maya), imagine how vindicated I felt. A long time ago an Indian astrologer told me I was protected by Nagas and would be safe wherever there were snakes.

Now this interchangeability of Dragon and Snake symbolism is of deep interest. The Orang Asli tell me the Snake is the 3D projection of the 4D Dragon (not in these words, of course, but they said, "The dragon is not of this world of flesh and blood." They believed that Snake Guardians that had served their time at sacred interdimensional portals eventually graduate to full Dragonhood.)

Naturally, whenever I hear talk of "slaying the Dragon (of Carnal Desire)" and references to the Evil Legions of the Draco Constellation, I'm a bit miffed. The worse Snake/Dragon Fearers/Haters are Christians - those who are closely descended from Enlil's bloodline. Remember Enlil's family emblem is the Eagle - and in Mexico, you find an Eagle clutching a Serpent in its claws on the national flag, symbolizing the Spanish Catholic colonization of the native Aztec-Maya-Inca cultures.

The bad blood between Enlilites & Enkiites has devolved down the aeons into Serpent-loathing and a general dislike of Reptiles.

During peak experiences when I've felt completely reintegrated and attuned to all life, I've always been a dynamic fusion of Eagle and Serpent. Hence, the Plumed Serpent. I feel that Reptile-loathing leads nowhere but to a bland and sterile world view where any quality diametrically opposed to our own programming is regarded as "Shaitan" (Satan, Nemesis, Enemy) and rejected outright.

In September 1996 I wrote an essay titled Song of the Dragon - a study of the interchangeability of Snake, Dragon, and Rainbow symbols in folk mythology. A "channeled" passage came through which I later edited out, because I felt the magazine's readership wouldn't be able to relate to the material. Luckily, I saved that paragraph in my archives. Now is as good a time as any to retrieve it as a contribution to this very stimulating discussion:

The Dragon is part of Earth's evolutionary program. For Intellect to function under harsh climatic conditions, one requirement is protective armoring. We were stranded in the constellation Draco after the First War in Heaven, when one third of the Archangelic Host decided to volunteer for a dangerous and unprecedented experiment in the Use of Free Will.

Slowly we mutated (or stepped down our sub-atomic frequencies) into dense physical forms based on the most rudimentary principles: Input/Output - with a hole at either end of a semi flexible tube, which results in your basic worm-snake-fish-bird-mammal metamorphic sequence.

In the early stages we were mere strands of living protein, bacilli. Once we graduated to proper Wormhood, we were well on our way to full-fledged Serpenthood and, eventually, we attained archetypal Dragonhood. We grew into a very large family called the Reptiles and our survival program was eat-or-be-eaten. Over great geological ages, we acquired strategy and sophistication.

We began projecting our individualized Wills into other parts of the Galaxy and became a source of disharmony.

During the Second War in Heaven (when Hell literally broke loose!), the Elohim made an attempt to eradicate us from the Matter Universe. They did not entirely succeed, for we became a survival program hardwired into every life form on Earth. Your scientific researchers call this the hypothalamus or Reptilian brain - and even the most "denatured" Sirian-Nibiruan-Simian genetic lineage has Dragon Blood at its deepest molecular levels.

There is no way you can eliminate the Serpent without destroying your own survival instinct. The limbic or mammal brain developed when the experience of death led to emotional trauma and fear of loss. As metaphorical thinking evolved, the neocortex grew and self-awareness appeared. The "fourth brain" can be described as "bionic" or cybernetic, incorporating artificial intelligence and nanotechnology. Your "World Wide Web" is an early manifestation of this phenomenon.

In terms of the Earth's mineral memory banks and her magnetic fields, we of the Dragon lineage have a very vital role to play. We have been here since the earliest phases of starseeding, and our evolutionary destiny is intimately linked with that of Gaia.

On the 4th dimensional level our hologram forms are perceived by those with active pineal glands as various phenomena, e.g., rainbow serpents, sundogs, aurora effects, UFO activity, and so on. We are pure energy beings, beyond archaic notions of Good and Evil, converting electricity into magnetism and vice versa.

[This was my second post when I began blogging in December 2006. Reposted 23 January 2012 at the start of the Dragon Year & on 30 February 2019]

Revisiting Charlie Chaplin's MODERN TIMES

Modern Times is a 1936 comedy film by Charlie Chaplin (who, incidentally, also composed the soundtrack music) that has his iconic Little Tramp character struggling to survive in the modern, industrialized world. The film is a comment on the desperate employment and fiscal conditions many people faced during the Great Depression, conditions created, in Chaplin's view, by the efficiencies of modern industrialization. The movie stars Chaplin, Paulette Goddard, Henry Bergman, Stanley Sandford and Chester Conklin, and was written and directed by Chaplin.

Modern Times was deemed "culturally significant" by the Library of Congress in 1989, and selected for preservation in the United States National Film Registry. {Source: Wikipedia)

[First posted 7 July 2009, reposted 1 July 2020]

Art as geopolitical commentary... (revisited)

Amazing thought-provoking painting "Beijing 2008" by Chinese-Canadian artist Liu Yi.

The woman with the tattoos on her back is China. On the left, focused intensely on the game, is Japan. The one with the shirt and head cocked to the side is America. Lying provocatively on the floor is Russia. And the little girl standing to the side is Taiwan.

This painting, named “Beijing 2008”, has been the subject of much discussion in the west as well as on the internet. What’s interesting is that this painting is called “Beijing 2008”, yet it depicts four women playing mahjong, and conceals a wealth of meaning within…

China’s visible set of tiles “East Wind” has a dual meaning. First, it signifies China’s revival as a world power. Second, it signifies the military might and weaponry that China possesses has already been placed on the table. On one hand, China appears to be in a good position, but we cannot see the rest of her hand. Additionally, she is also handling some hidden tiles below the table.

America looks confident, but is glancing at Taiwan, trying to read something off of Taiwan’s expression, and at the same time seems to be hinting something at Taiwan.

Russia appears to be disinterested in the game, but this is far from the truth. One foot hooks coyly at America, while her hand passes a hidden tile to China, both countries can be said to be exchanging benefits in secret. Japan is all seriousness while staring at her own set of tiles, and is oblivious to the actions of the others in her self-focused state.

Taiwan wears a traditional red slip, symbolizing that she is the true heir of Chinese culture and civilization. In one hand she has a bowl of fruit, and in the other, a paring knife. Her expression as she stares at China is full of anger, sadness, and hatred, but to no avail; unless she enters the game, no matter who ends up as the victor, she is doomed to a fate of serving fruit.

Outside the riverbank is darkened by storm clouds, suggesting the high tension between the two nations is dangerously explosive. The painting hanging on the wall is also very meaningful; Mao’s face, but with Chiang Kai Shek’s bald head, and Sun Yat-Sen’s mustache.

The four women’s state of undress represent the situation in each country. China is naked on top, clothed with a skirt and underwear on the bottom. America wears a bra and a light jacket, but is naked on the bottom. Russia has only her underwear left. Japan has nothing left.

At first glance, America appears to be most composed and seems to be the best position, as all the others are in various states of nakedness. However, while America may look radiant, her vulnerability has already been exposed. China and Russia may look naked, yet their key private parts remain hidden.

If the stakes of this game is that the loser strips off a piece of clothing, then if China loses, she will be in the same state as Russia (similar to when the USSR dissolved). If America loses, she also ends up in the same state as Russia. If Russia loses, she loses all. Japan has already lost everything.

Russia seems to be a mere “filler” player, but in fact is exchanging tiles with China. The real “filler” player is Japan, for Japan has nothing more to lose, and if she loses just once more she is immediately out of the game.

America may look like she is in the best position, but in fact is in a lot of danger, if she loses this round, she will give up her position as a world power. Russia is the most sinister, playing along with both sides, much like when China was de-occupied, she leaned towards the USSR and then towards America; as she did not have the ability to survive on her own, she had to weave between both sides in order to survive and develop.

There are too many of China’s tiles that we cannot see. Perhaps suggesting that China has several hidden aces? Additionally China is also exchanging tiles with Russia, while America can only guess from Taiwan’s expression of what actions have transpired between Russia and China. Japan on the other hand is completely oblivious, still focused solely on her own set of tiles.

Taiwan stares coldly at the game from aside. She sees everything that the players at the table are doing, she understands everything that is going on. But she doesn’t have the means or permission to join the game, she isn’t even given the right to speak. Even if she has a dearth of complaints, she cannot voice it to anyone, all she can do is to be a good page girl, and bring fresh fruit to the victor.

The final victory lies between China and America, this much is apparent. But look closely; while America is capable, they are playing Chinese Mahjong, not Western Poker. Playing by the rules of China, how much chance of victory does America really have?

[Source unknown. First posted 2 July 2013]

The 2024 World Submarine Racing Championships. Exclusive photos.

Well... What the hell did you expect to see??!!

Hope the rest of your day goes better!

P.S. If it makes you feel a bit better, I looked at all the photos too.

[Contributed by Shanthini Venugopal. First posted 23 June 2009]