Showing posts with label eschatological and scatological poems. Show all posts
Showing posts with label eschatological and scatological poems. Show all posts

Wednesday, May 6, 2026

And now, labies & genitalmen... how about some prehistoric rap? (updated & reposted)



CHUCK THE DUCK

how now laotse maotse cowboy tung taodung
need ye grow olde if you never been jung
why sigh fakeye take a break snakeye
recall being born forget to die
bake a cake stay awake cry for joy
O! blakeye


shout aloud jump about fall on your rump
pigs roast slowest that are most plump
cook a plot write a book rob a crook run riot
keep quiet look tired don't sleep go on diet
smart tart twit her twat now what
don't fart


big ben beats crime pleasemen cheat time
peahen eats grime in the pigpen
bleed greed breed weed feed your mind
go blind grow grass quit the line feel fine
smoke a toke don't choke vat 69's no joke
ice floe nice shmoe g.i. joe gung ho
edgar poe deathrow


now bow say grace meow ratrace great place powwow flatface
tightroped pooped pope wallops trollops in the craptrap
rubin rude rapes bob hope & raps the cape of good dope
grunt grope chomp chow chew bread it's homemade
dull as lead get weighed your shell be shed
your soul be free so flee fly flow fled
go right ahead mister blister my sister
who can resist her she's such a sprightly maid
but don't sue me if you don't get laid


the mayor learned his trade well
the player played the part swell
they made their cellmates burn in hell


blue petulance expels true flatulence propels
your dad poohpoohs smells bad he's a cad
sells your mum to alan ladd
mum's glum dad's sad you're mad we're glad
platypus flatus & oedipus status are to blame
shame shame! captain ahab's bladder's inflamed
and jacob's ladder can't take the strain
it'll crack that's a fact you'll land smack whackthwack
on your backside & spill your brains
what a pain it's insane too much! you'll be crippled & lame
as such you'll need a crutch:


maurice suggests you change your game
horace requests a change of name
but boris professes you'll be the same


everything's done where's the fun? there's none
every song to sing's sung every pun to spin's spun
honkytonky monkspunk anybawdy anynun granny franny
jurisprufrock's earthquacker in hanniballoon crunch
sanny franny petticrockers crisco crackers
for cannibaboon brunch
think of gin sink in gum drink some rum dream of rintintin


all's fair balls square scream in fright uptight delight
in lassie's breath & aleph beth
henry stanley & livingstone's bones
huge rods huger cones buck jones &
being alone with death


flint splinter frog frigger
dread fred be bold don't enrol feel blue
see red lose your head regain control
prayers said so stay in bed
flip flop plip plop gyrotop wobbles
stops & drops down manhole &
polecats tapdance on tiptoe
with pipco tadpoles


click clock bloody cop with hickory cock
goebbels shit hot in the pit of the pot of
the ruddy rotten ruck
fuck ladyluck!
get sucked
get pluck come unstuck
let yourself be struck
dead
chuck the duck


I wrote this bit of doggerel in 1970 - never suspecting that 20 years later, this sort of staccato rhyming by free association would explode into a global artform called rapping or hip-hop. The title was inspired by the late Charles E. Gaunt III, my drama teacher at West Essex High School, whom some of us nicknamed Chuck the Duck.

Of course, I can't lay claim to having invented the rap form. This is what Wikipedia says:

Rapping can be traced back to its African roots. Centuries before hip hop music existed, the griots of West Africa were delivering stories rhythmically, over drums and sparse instrumentation. Such connections have been acknowledged by many modern artists, modern day "griots", spoken word artists, mainstream news sources, and academics.

Anyway, Chuck the Duck was turned into a hip-hop number by the incredibly versatile and talented Rafique Rashid - back in the days when we used to hang out together a great deal. He still has the original 4-track cassette master but he gave me a copy which I recently digitized and uploaded here.

A few years later, the prestigious Australian a capella Song Company, under the baton of Roland Peelman, actually premiered Chuck the Duck as a six-part polyphonic fugue in Kuala Lumpur. How on earth did this happen? Roland Peelman had commissioned Malaysian avant-garde composer Saidah Rastam to contribute an original work to the Song Company repertoire - and, of all things, Saidah decided to use Chuck the Duck as the libretto for her astonishingly witty masterpiece.

Thinking back on the strange history of Chuck the Duck, it strikes me as extremely intriguing that two wonderful musicians I have known and loved for years were inspired to set to music this wacky exercise in wordplay written by me as a 20-year-old - and both subsequently unbefriended me (although one recently began to visit again, I'm happy to report). Could it be some kind of mysterious curse? In view of the tragic outcome of both attempts to musicalize Chuck the Duck, I no longer encourage anyone to do so. Unless, of course, they happen to be machine intelligence - say, Suno, for instance! 

Listen to Chuck the Duck by Rafique Rashid

Listen to Chuck the Duck by the Song Company

Listen to Chuck the Duck by Suno

[First posted 16 May 2012, reposted 29 August 2016 & 23 March 2018]


Thursday, December 19, 2024

Dusting off some ancient poems from "Moth Balls"



Whatsapp inspired this post. Sharanya Manivannan - sensuous poet, consummate weaver of enigmatic tales, high priestess of aromatic and erotic prose, and my beloved friend in Chennai - sent me some audio clips of her poetry. My flagging appetite for wordplay aroused by the piquancy & precision of her sultry voice, I was prompted to unearth my 1994 collection of "eschatological & scatological poems" titled Moth Balls (Magick River, 1994, limited edition). Experimentally I recorded a few short ones and sent them over. She responded most encouragingly and magnanimously. I was sufficiently heartened to rummage through the hoary collection and pick out a few for a fresh airing. Thank you, Sharanya!

The first offering is, I believe, my earliest attempt at versifying, written as a Creative Writing class assignment when I was 17...

PAEAN TO THE BRAVE SOLDIER

Is it not quite often thought
(& very often believed)
that the brave men who fought
and died for God & King
(or some other Thing)
are inadequately aggrieved
and cried for,
though inordinately touching
(it is often said)
is their sacrifice of costly life
that must be paid
as patriotism's price?

Anyway no one I know
will go so far
(since the war is won)
as to say we have not mourned.
In truth no tear has been forborne;
no ceremony neglected;
and in good cheer
we'll have erected
a monument of marbled brick,
to be unveiled to the public
while brass bands playing
(the nation's honor portraying)
salute good citizens
(the ones, of course, who are taxpaying).

Altogether it will be
a memorable testimony
of our pride
in the honorable
men who died
sailing against the
Evil Tide:
loyal men, courageous & willing,
who were killed while they were killing
for God & King
(or some other Thing).

1967



WHEN NOTHING CAN POSSIBLY

when nothing can possibly
be more than what the public eye can see
& everything that is believed to be;
when there are no more trees
for sleepy sitting under;
when each & every busy bee
but lives in concrete hives for plunder -
then creation has only been a big bad blunder

when there is not a lot of or
even just a little time
& absolutely no space for
one heart to feel
full of all the love
that is, will be & was -
inadequate space &
insufficient time for love sublime -
then this race of humans is an inhuman crime

1970


IN THE PALACE GARDENS

under mushrooms of vermilion
in a maroon pavilion sits the King
                                          typing this
                                          trifling
                                           thing: the
                                         disting-
                                   uished ring
                                   of the King's Royal machine
                            at each ending
line
reminds me of times
I laid with the Queen
as we played with the genes
of Frank & Stein the Einst (such fine
clients of science) and

under gold & green umbrellas &
masses of gases
our moments of mirth
gave globular birth
to elfin princes & princesses
in new blueprint dresses
peopling a virginal
Earth

1972







[First posted 22 October 2013, reposted 19 November 2015, 4 December 2016 & 13 December 2020]