Wednesday, January 1, 2014

AN OPEN LETTER TO MALAYSIANS FROM RAFIZI RAMLI (reprise)



My fellow Malaysians

I was born in a small wooden house surrounded by rubber trees about 36 years ago. My first recollection of life was that of a water well because my house did not have a running water supply until much later.

Like many kampung Malay kids, I grew up not having much of anything. My worldview was shaped by my surroundings. Since some of my elderly cousins became teachers, I wanted to go one step ahead of them – so I started my young life wanting to be a university lecturer (which was the coolest job I could think of when I was eight years old).



Although life was difficult and we were always conscious that we wouldn’t have enough to go around, I grew up full of pride. My parents raised us not to be apologetic about anything. From a very young age, I learnt that a man’s mortal enemy is his own self pity.

Thus, I grew up in a family environment that was full of energy and positivity. Living a dignified honest life on my own terms becomes an objective that I pursued doggedly from a young age.

We are, after all, the masters of our own fate and fortune.

It is this belief that forms the bedrock of my conviction that for Malaysia to progress, we must heal from the self-inflicted wound of mistrust, mediocrity and mismanagement.

After four decades of divisive policies that favour only the well connected elites of the society, the cancerous downside effects on the society’s morale and self-confidence are all too apparent. The very prerequisite that can make this country great again – pride in ourselves – diminishes by the day.

The Umno elites predictably resort to scaremongering and running down the very group they claim to protect i.e. the Malays.

Every day, the Malays are being fed with a concoction of lies that they cannot survive on their own without the government’s protection. The good Malays were systematically replaced by the mediocre Malays in every sphere when the Umno-led BN government ditched meritocracy in exchange for mediocracy – it was no longer skills, qualifications or business acumen that got you a big break, it was which Umno or BN ministers you know.

The unintended consequences of such selfishness and shortsightedness were devastating to nation-building efforts. A culture of mediocrity and mistrust perpetuated by the Umno-led BN government finally allowed for mismanagement of the nation’s wealth to go unchecked.

I have always advocated that a change to a needs-based policy (from race-based) is not only morally right to ensure fairness to all, more importantly it is a necessity to instill pride and goodwill in every single Malaysian so that we can move on confidently.

It is not fair to burden the young Malaysians with the baggage of the past.

They have every right to grow up believing that they can achieve their fullest potentials under the Malaysian sun if they are morally upright, honest, industrious and smart. They deserve a society that can feel good about itself, without the bitterness of mistrust and racial connotations. They need to have the confidence that the government will take care of the most vulnerable groups in the society regardless of background and affiliations.

Our young Malaysians deserve to grow up in a positive environment that thrives on the utmost confidence we have in ourselves and our capabilities, only then we can break free from the ghosts of the past which inhibited Malaysia’s potential all this while.

We have a lot of work to do if we hope to accomplish this. We need to fix the schools because fixing the schools means we fix the society. We have to ensure that the good ones in the society are given the best opportunity to soar to the sky while we build a net to catch those less fortunate so that no one is left behind.

Malaysians have to look at each other differently. Instead of looking at our differences, we are better off cherishing the common fondness that binds us together – our colourful food does more justice as a testimony to our ability to appreciate each other than we ever dare to give credit to ourselves.

A lot of my friends said that I am a foolish dreamer. They taunt me that there is a fine line between idealism and foolishness. Yet each time detractors belittle my dream of a better Malaysia for all, I am constantly reminded of the beautiful words of a song from the past:

“You are still so young to travel so far, Old enough to know who you are, Wise enough to carry the scar, Without any blame..”

Malaysia is a young nation. It has gone through a lot and the experience accelerated its maturity. It may have erred in the past, but its future is the brightest on this side of the horizon. Let us look forward to that future and leave the past behind without any blame.

Looking back, I am ever grateful that I was able to cast off my inferiority earlier on in my life. I could because I had a good support system and a good education.

The future of our society lies in our classrooms and with our young people. I am glad that while I may have pursued a different professional career, the yearning for teaching and knowledge never dies. Deep inside I have always been a student and a teacher that allowed me to go through a journey of humility to see life from different perspectives.

We must ensure that education reforms become an obsession of our next government because every child deserves a chance to cast away his/her inferiority and inhibitions earlier on in life, so that they can do wonders later on.


As we go to the polling station this Sunday, I hope my fellow Malaysians hold our heads high and look to a brighter future. The days when we are put down by our own government shall be over. We shall be the masters of our nation’s destiny and fortune.

I may be relatively young, foolish and naïve to hope for better things for Malaysia. I don’t pretend to know what my fellow Malaysians want, but I offer my youth, energy and undying love to make it a better home for everyone.

Because we owe it to our young people and ourselves to put Malaysia where she deserves.

Rafizi Ramli
5th May 2013

[First posted just before 5 May 2013. Cartoons courtesy of Lat] 


Saturday, December 14, 2013

David Icke & Jordan Maxwell in conversation: The Agenda to Control Planet Earth



David Icke and Jordan Maxwell in conversation about the agenda to control Planet Earth, meeting again for the first time in 15 years. Wonderful stuff.

http://projectavalon.net
http://davidicke.com
http://jordanmaxwell.com
bill@projectavalon.net

[Brought to my notice by Shalamee Campbell]


Thursday, December 12, 2013

ANTOINE DUFOUR ~ A MAN AND HIS GUITAR (repost)









I stumbled on this consummate fingerstyle acoustic guitarist based in Canada in November 2009 during the hostage crisis in Mumbai. Found this man's focus and dedication to his craft entirely soothing and therapeutic. Check out his homepage!

[First posted 19 August 2011]



Sunday, December 8, 2013

Tuesday, December 3, 2013

Spectacular version of Pink Floyd's "Comfortably Numb" ~ well worth sharing!



David Gilmour joining Roger Waters on The Wall to perform 'Comfortably Numb' in London, 2 May 2011.

Sunday, December 1, 2013

Jeff Liebermann on science & spirituality ~ a stimulating 14-minute lecture



Jeff Lieberman, an MIT-trained artist, scientist and engineer, makes a scientific argument for mystical experience. He asks us to challenge our perception of what we are, our relationship to the universe, and our relationship to one another. Our minds are "thought-generating machines." What we would happen if we could turn off the machine? If we could transcend our individual experience of the world?

[Thanks to Hock Soh for alerting me to this video]

Monday, November 25, 2013

UMNO'S HOUSE OF HORRORS (Part Three)

(Photo courtesy of Howsy)

NAJIB: UP TO MUSLIMS TO DECIDE ON SAIFUL'S ACTION

"According to our system, any individual accused of sodomy can clear his name the Islamic way or through the courts and Saiful has chosen the former. It is up to the people to make their own conclusions.

"I have said from the beginning that this issue is a personal matter between Saiful and Anwar and has nothing to do with the Barisan Nasional," Najib told reporters after meeting Umno's Permatang Pauh by-election machinery in Butterworth yesterday.


Ha ha ha ha ha ha! Come on, Najib, you gotta do better than that if you seriously intend to try your hand at stand-up comedy after your parole. So, the whole sleazy sodomy affair is, by your own admission, only a sandiwara (puppet show) to dissuade Malay voters from voting against Umno? In effect, it has EVERYTHING to do with Barisan Nasional's desperate fight for survival. The very fact that you were quoted right after you chaired an Umno meeting on the Permatang Pauh by-election makes your statement reek even stronger. If the entire matter were strictly "a personal matter" between Saiful and Anwar, why would every Umno big gun be making stupid, self-incriminating remarks about the ridiculous allegations? From the home minister to the deputy prime minister and even the prime minister himself - all of you have seen fit to stick your fat necks out "to ensure Saiful gets justice." How laudable... I mean, laughable!

Many of us got suckered into believing at first that you, Najib Razak, were personally responsible for orchestrating this pigheaded plot to fix Anwar. After all, you publicly admitted to having given "counsel" to Saiful Bukhari in your own house just before he lodged that mischievous police report. However, our best source of political gossip, Raja Petra Kamarudin, gleefully informs us that the real mastermind behind Sodomy II is Umno legal adviser Shafee Abdullah (pictured left).

Now that Shafee has been fingered and exposed, the police black ops against Anwar will have been scuttled - hence the decision to appeal to Malay sentiments by getting Saiful to swear on the Qur'an that Anwar Ibrahim forcibly sodomized him. What exquisite timing - right on the eve of nomination day for the Permatang Pauh by-election! Oooh, I can just picture a motley bunch of besongkoked Umno conspirators huddled together in secret conference rooms, drinking kopi-O kau and plotting and scheming Anwar's downfall...

Another influential blogger who calls himself Tulang Besi (Iron Bones) pinpoints Abdullah Badawi's detestable son-in-law and his fatcat capitalist cronies in the media as the ones responsible for this ill-conceived attempt to smear and neutralize both Anwar and Najib with a single scandal. Stands to reason, no prizes for guessing which smirking, slimy jerk once boasted he intends to be PM by the age of 40...

Not a hope in hell, Khairy!


[First posted 16 August 2008]

UMNO'S HOUSE OF HORRORS (Part Two)

SHAHRIZAT LAUNCHES A MAMAK-STYLE JIHAD!

From Malaysiakini: "Wanita Umno has reportedly declared a "jihad" or holy war to prevent opposition leader Anwar Ibrahim returning to Parliament in a by-election this month.

"It is a jihad because this individual should not be given the chance to destroy the country's political stability and prosperity," women's wing deputy chief Shahrizat Abdul Jalil said, according to
The Star newspaper.

Shahrizat, a former cabinet minister, lost her seat in Parliament to Anwar's daughter Nurul Izzah in landmark March elections that handed the opposition unprecedented gains against the ruling coalition.

"If we allow him to lead the country, he would lead us to destruction," she said as she launched the women's wing campaign for the Aug 26 by-election in Anwar's home state of Penang.


Oh, Shahrizat, Shahrizat! It saddens me to hear you say such horrible, wicked things about my esteemed friend Anwar Ibrahim. The only time I recall meeting you was at the launch of the last KL International Litfest. Remember what I told you? "Shahrizat, you're the only BN minister I don't mind being photographed next to!" I thought you were intelligent and charming and your kids were beautiful and friendly. But how I can maintain those positive feelings towards you now that you've revealed your true colors? You're just another corrupt and misguided Umno hypocrite. If you had any foresight or wisdom you would have quietly hopped over by now, instead of going down with the KD Umnoputra. I know Abdullah Badawi was very nice to you after you lost your parliamentary seat to Anwar's astoundingly attractive daughter, Nurul Izzah - he kept you on the Umno payroll and made sure you still earned a big fat salary as Ng Yen Yen's stand-in.

It's quite clear now you're only in politics for the money and false glamor. If you were sincere about serving the rakyat you'd have considered joining DAP, PKR, or even PAS! Umno is the party that has very nearly destroyed Malaysia through systemic corruption, unmitigated greed and total abuse of power - and a large portion of the credit for that goes to your Supermamak former PM!

Those of us whose perceptions haven't been clouded by BN's sleazy largesse view Anwar Ibrahim as the nation's best hope at this juncture for genuine reform. There isn't a single Umno politician we can trust to do what's required. 

Zaid Ibrahim made a feeble attempt to overhaul the judiciary and was instantly shot down by his Umno colleagues. Shahrir Samad no longer inspires at all. Indeed, Shahrir is now the Umno ghost that talks utter cock which nobody even bothers to quote. You were perhaps the last hope for Umno - and now you've blown it with your despicable misuse of the word "jihad"! It reveals how shallow, self-serving and narrow-minded your understanding of Islam actually is.

Well, the upside of it all is that we can now torpedo the Umno flagship without having to worry about collateral damage - because the sinking vessel is transporting nothing but soiled goods anyhow.

Action stations! Fire one! Fire two! Fire three!


[First posted 16 August 2008]

UMNO'S HOUSE OF HORRORS (Part One)

RIGHT: Pin-up shot of Saiful Bukhari in a baseball cap that has been circulating the internet; Pederasts Anonymous have expressed Socratic interest in this promising young man and invited him to be their mascot

SAIFUL BUKHARI AZLAN ON MALAYSIAKINI:

"I swore in the name of Allah at the Federal Territory Mosque this evening in accordance to the teachings of Islam and as advised by religious scholars and teachers that I was sodomised by Anwar Ibrahim."

What is Saiful saying? Islam teaches people to swear in the name of Allah (whose own credibility, credentials, and existence have yet to be established to everybody's satisfaction) whenever accused of any behavior deemed to be an offence? Any boy as pretty as Saiful will have had a long history of being "hit on" by males as well as females. By the age of 23 he ought to have learnt how to accept or refuse such erotic advances. To now claim he was forcibly sodomized by a 61-year-old man with a bad back defies belief - unless he was drugged and raped, which is a whole different scenario. Anyone who has ever attempted penetration of a tight anus will attest that this is virtually impossible without the the acquiescence, consent and wholehearted cooperation of the person to whom the anus belongs.

Penetration by force would result in tissue damage, bleeding and scarring easily detectable by even a cursory rectal examination - and we already have the sworn testimony of the good Burmese doctor at Hospital Pusrawi that no such signs of forced entry were discovered. Apparently a subsequent rectal examination of Saiful Bukhari at Hospital Kuala Lumpur also confirmed that there were no signs of forced entry. Saiful can swear on every book in the world till he's blue in the face - but that won't alter the results of the rectal examinations. Unless, of course, Saiful has an extremely accommodating and elastic anus that allows him to be sodomized by a rogue elephant and still show no physical signs.

Alpha blogger Raja Petra Kamarudin has disclosed on Malaysia Today: "At 2.30pm on Wednesday, 25 June 2008, Senior Assistant Commissioner (SAC) II Mohd Rodwan Mohd Yusof (shown right in a 1998 file picture) met Mohd Saiful Bukhari Azlan in room 619 of the Concorde Hotel in Kuala Lumpur. Prior to this secret meeting, Rodwan and Saiful spoke on the phone at least eight (8) times."

Now this is an extremely detailed disclosure which suggests that somebody within the police force is extremely unhappy with the dirty business at hand and has chosen to be RPK's "Deep Throat." I didn't hear any reporters questioning Saiful at yesterday's press conference about his connection with SAC Rodwan Yusof (who has been accused of helping Musa Hassan falsify evidence against Anwar Ibrahim in the 1998 sodomy allegation instigated by Mahathir). No doubt Saiful would have replied: "I will answer that in court later."

"The oath I've taken was done voluntarily and it was done to uphold the truth as a Muslim, a Malay and a Malaysian."


Saiful Bukhari sees himself as primarily a Muslim, then a Malay, and lastly a Malaysian. I'm sorry, Saiful, but being any of those doesn't add any credence whatsoever to your oath. The Umno chaps all claim to be Muslim, Malay, and Malaysian - and that has never stopped them from lying through every orifice just to cling on to power.

"I understand that if the allegations and oath that I've taken under the name of Allah are not true, I will be cursed by God and tragedy and curse will come upon my family and the generations after me forever."

Even if God lets you off light, Saiful, you can bet your arse you will be spat at and shunned by a lot of people for stooping so low just for a bit of cheap publicity and a "scholarship" from Umno. But please leave your fiancée out of this curse business - I'm sure she had no idea what she was in for. Curse your father (pictured right), if you like; he looks like someone already accursed.

"I've taken this oath to prove that my allegations are completely true. This is the best way for me to attain justice in the world and the hereafter and for me to redeem my pride and dignity as Allah is the only place where I can complain to."

Load of crap, boy! Taking that oath on the Qur'an proves only one thing: you're convinced that other Muslims will be inclined to believe you're telling the truth, and that's what this evil game is really about - to poison the minds of Muslim-Malay voters against Anwar Ibrahim, the greatest threat Umno has ever faced in its entire history. And if you truly feel Allah is your recourse, why did you bother going for a rectal examination at Hospital Pusrawi before lodging a police report on 28 June as instructed by your Umno handlers?

"I've done this for God and I took my oath in the house of God, that I was humiliated and sodomised by Anwar Ibrahim and I do not wish to lie to the world as he has done."

You twisted little shit, Saiful! Umno is NOT God! You've been offered filthy lucre to "sacrifice yourself" to save Umno from Anwar Ibrahim - and you saw a golden opportunity to attain global notoriety as Anwar's political assassin - exactly like Mark David Chapman believed he would forever be remembered as the fuckwit who shot John Lennon.

Saiful, an omniscient, omnipotent, and omnipresent God would already know what a "good" boy you are (no need for you to
sumpah on the Qur'an, that's only for show); an all-powerful God would have intervened to protect your chastity from being ravaged. God the omnipresent also resides in your anus and, for all we know, probably relishes the occasional rectal probe!

[First posted 16 August 2008]


Wednesday, November 20, 2013

Remembering Paul Ponnudorai (20 November 1961~7 July 2012)

Too bad I missed Paul's 50th birthday gig at CJ's Pub & Restaurant on 20 November 2011
THE MUSICIAN’S MUSICIAN
22 December 2007

Paul Ponnudorai has been called the ‘greatest musical interpreter of our time’, but who is he?

With his long hair and easy-going demeanor, it’s easy to dismiss singer-guitarist Paul Ponnudorai as just another musician playing in a pub. But one listen to him and you’ll know he’s definitely not just hired musical help.

His fans (many of them musicians themselves) know him as the guy who can turn a tune on its head and make it an extraordinary piece of art. They bandy superlative terms like "genius" or "musical phenomenon" when describing him.

When his name popped up in a feature article in Time magazine in May this year, wherein the writer called him "possibly the greatest musical interpreter of our time," they thought his time - no pun intended - had come.

But it hadn’t. Ponnudorai still plays Thursdays to Saturdays at Harry’s bar at the Esplanade - a gig he’s had for five years. In a straw poll we conducted, many didn’t even recognise the name and one actually asked if he was "the guy who started that famous shop in Little India." (FYI: That’s P Govindasamy Pillai.)

While failure to hit the big time despite a plug from Time magazine might bug younger musicians, Ponnudorai is nonplussed: "(The Time article) was certainly a nice compliment, but I don’t think of myself as a guitar hero. I’m known and, yet again, not. I play because I love to play and sing. It keeps me happy. And if I can touch people with it, even better. Because having something is no fun unless you share it."

Ponnudorai will be sharing the music on Saturday with local jazz legend Jeremy Monteiro and American greats Tuck and Patti at the Esplanade as part of Monteiro’s annual Christmas concert series - an event the jazz maestro started five years ago.

Rehearsing in Singapore with Jeremy Monteiro (keyboard) & Howard Levy (harp)
"When people see him, I’m sure they will be blown away by his ability and his singing," said Monteiro, 47. "Tuck and Patti have called him a ‘phenomenon’. The people who come to the show will come away with a better understanding of who Paul is."

Still, knowing how apathetic the Singapore audience can be, Monteiro is well aware critical acclaim is not necessarily followed by fame. "If you’re good, you should be famous," said Monteiro. "But it’s not always so. Like some musicians are famous, but are they good? Paul is definitely good - one of the best kept secrets of the music world."

The story of this secret started in Ipoh, Malaysia, where Ponnudorai grew up. He picked up the ukulele when he was four and the guitar at six. A left-hander, he taught himself to play right-handed and learned to keep time by playing to the creak of an old ceiling fan. His musical influences spanned from opera to country, courtesy of his father, who would play music at home.

But Ponnudorai never thought he’d be a musician. It was his brother who invited him to play during happy hours at a piano bar in Kuala Lumpur. Said the bachelor: "And as the story goes, I walked into a bar and I never walked out."

Since then, Ponnudorai has led what many would call "a full life," although he’s only a youthful 46. He’s had to endure threats from jealous musicians wanting to cut his fingers off, and played to gun-toting gang members in nightclubs - where they made him play Wham!’s "Careless Whisper" 17 times non-stop once.

He’s also won the hearts of some of the greatest musicians, including trumpeter Wynton Marsalis, harmonica virtuoso Toots Thielemans, guitarist Tommy Emmanuel and vocalist Bobby McFerrin.

Ponnudorai's only album was released in 2005
He’s survived two car crashes, with the second in 1992 resulting in him having brain surgery. "I was worried, after the second accident, about the extent of damage," he explained. "I was afraid to pick up the guitar."

But a few months later, a musician friend of his asked him to come on stage and jam with him. "I said: ‘No, I haven’t played the guitar in months.’ And he said: ‘Look, you believe in God, don’t you? Have faith.’ So I did go up and I played - and I haven’t stopped playing since!"

And though he may have a few regrets, Ponnudorai says the music makes up for it. "I think if I could have afforded higher education I probably would have missed out on these experiences I have garnered over the years playing music. I would not have had the interaction with people, spanning a period of 28 years. I don’t think any amount of money could buy that experience or pleasure. You know they say it’s the journey that counts, not the destination. I believe that’s true. I’m enjoying the journey right now."









MUNSHI AHMED FOR TIME
10 May 2007

A man who is quite possibly the greatest musical interpreter of our time performs every weekend at Harry's - an ordinary bar in a Singaporean shopping mall. There, before a half-empty room, while soccer matches are screened and waitresses ferry beer and fries, Paul Ponnudorai sings with astounding virtuosity, accompanied only by his Spanish guitar. His voice swoops and growls with the range and soulfulness of mid-period Stevie Wonder, and his fluid, polyrhythmic style of guitar playing appears to have little precedent. But it is his choice of material, and the inventiveness with which he arranges it, that cloaks Ponnudorai in the aura of genius.

Ponnudorai's style is to deconstruct a hackneyed standard, reassemble the parts in startlingly creative ways, and then perform it with a passion that nobody has previously dared. Thus the campfire dirge Five Hundred Miles becomes a spine-tingling R&B ballad, dripping with anguish. The Beatles' chirpy Can't Buy Me Love is transformed into a complex jazz exercise, incorporating some of the Karnatakan rhythmic phrases of Ponnudorai's South Indian ancestry. The Cascades' saccharine Rhythm of the Rain metamorphoses into the purest Burt Bacharach, with unexpected chord changes and lush melodic lines.

Comparisons could be made with José Feliciano, the Puerto Rican singer-guitarist who had 1960s hits with stylish remakes of songs like California Dreamin' and Light My Fire. But Ponnudorai is better. His ability to dice songs up, look into their hearts and perceive the common veins connecting every genre has won the attention of top international players who go to Singapore on tour. Harmonica virtuoso Toots Thielemans, drummer Billy Cobham, guitarist Tommy Emmanuel and vocalist Bobby McFerrin have all been in the audience. In 2002, trumpeter Wynton Marsalis showed up at a performance and was so taken by it, he grabbed his instrument and leapt onstage to play alongside a startled Ponnudorai, who did not recognize him. "He told me 'Ever since I got off the plane I've been hearing about nothing but you,'" Ponnudorai recalls. The pair jammed together for the next two nights.

Photo by Jack Hoo
Marsalis was referring to the buzz Ponnudorai generates among local and overseas musicians. Among the public, it is another matter. If you watch Ponnudorai play, there will typically be a handful of fans near the stage. Everyone else will be at the other end of the room, noisily drinking and making a mockery of Singapore's reputation as a city at the forefront of smoking cessation. The kind of musician that the world produces only a few times in a generation is in the house, but the laity barely notice.

[Read the rest here.]


Wednesday, October 9, 2013

John Lennon would be celebrating his 73rd birthday right now....



But I doubt he would have enjoyed turning into a grouchy old fart like Bob Dylan.

Happy Birthday, Johnny... wherever you are.

Saturday, October 5, 2013

What brand of smartphones and tablets is ideal for UMNO BARU members?

UMNO (1946~1988) ... UMNO BARU (1988~?)
UMNO BARU president elected by 191 corrupt division chiefs
UMNO BARU vice-president in charge of homo affairs
Suck my keris!
UMNO BARU faithful ever ready to lie for their party
UMNO BARU thug threatening innocent bystanders with his shoe
UMNO BARU in the digital age, preparing for the Great War in Cyberspace
Who says the mentally and morally retarded can't use smartphones?


[First published 25 April 2012]


Saturday, September 14, 2013

Visionary art as an antidote to corporate fascism (continued)


Organique by Gaëlle Van Nah Chong (8.2" X 11.8", Graphite on paper, 2013)

TSHON: When did your passion in art begin and who or what were your earliest influence(s)?

Gaëlle Chong:  I can’t pinpoint the exact moment or event. My parents always encouraged creativity, as well as other family members. As far as I can remember I’ve always had pencils, books and music in my room. Later on my little brother would look at what I was drawing and ask 1000 questions, which annoyed me after a while but today he’s the one I run to whenever I have doubts about my art and he’s one of my favorite artists.

I think sharing artistic interests with my family early in life has made it a medium through which it feels more natural to keep in touch with other humans. When I draw, I feel safe. When people look at my drawings, they see the real me.

TSH: Who are your favorite artist(s) author(s)? 

GC: Terry Gilliam, Raymond Devos, John Waters and Guy de Maupassant, I guess... hard to pick as there are so many.

TSH: What are your current concerns and how are the images you've produced able to communicate your thoughts? 


7 Lunes by Gaëlle Van Nah Chong (7.9" X 5.5", Graphite on paper, 2013)
GC:  Well... product is the excrement of action; I guess that’s it for most of my work. Whatever my brain was fed in the past or while drawing, what you see on paper is what my body/mind hasn’t been able to assimilate, and a snapshot of the fun, painful, soothing, stressful, interesting process of drawing. It’s kind of like when you’re a kid playing on your own; you have this whole story going on in your mind, building forts and pirate ships with pillows. It’s a self-absorbed monologue, a personal train of thoughts, not really social art that conveys a message, denounce or criticize issues. There is the occasional angry-fuck-you-drawing though, or jokes.

TSH: What is your preferred art medium and why are you comfortable in using this medium in the production of your artworks? 

GC: Pencil. It’s clean, cheap, no set up required, easy to carry and I get to indulge the nitpicking part of me. Oil pastels are fun to play with and they get me where I want to go quickly.

Blablabla by Gaëlle Van Nah Chong (26" X 18.5", Graphite on paper, 2013)
TSH: A quote from you on the works you've produced for this exhibition or your philosophy in life in general.

GC: "SpongeBob weird face + avant-garde black metal + childhood trauma + wondering what’s beyond a black hole + anticlericalism + a reference to Mass Effect and baroque art." That’s my side of the story. Different people will have different personal mythologies, symbols, desires, neurosis, so when they look at my drawings their stories will be different too and just as relevant as mine.



Ballerinas of Bodom by Gaëlle Van Nah Chong (6.7" X 7.9", Oil pastel on paper, 2013)
____________
Gaëlle Chong is a creature made of oxygen, carbon, hydrogen, nitrogen, calcium, phosphorus, sulphur, potassium, sodium, chlorine, magnesium, silicon, iron, fluorine, zinc, rubidium, strontium, broomine, lead, copper, aluminium, cadmium, boron, barium, tin, iodine, manganese, nickel, gold, molybdenum, chromium, caesium, cobalt, uranium, tetrahydrocannabinol, beryllium, radium. It feeds on music, words, images, caffeine and nicotine. If you find yourself threatened by such a creature, throw a cookie and run away, it will focus on the chocolate chips and leave you alone.


Secret Swirl by Melissa Lin (12" X 12", Acrylic on canvas, 2013)
Together Again by Melissa Lin (12" X 12", Acrylic on canvas, 2013)
Motion Mirage by Melissa Lin (12" X 12", Acrylic on canvas, 2013)

TSHON: When did your passion in art begin and who or what were your earliest influence(s)?

Melissa Lin: It’s hard to locate an actual point in time since I loved drawing and being creative as a child. Even then I knew that it was a refuge for me, the act of drawing or painting, a place where I could go to to allow my imagination to be free and wild, to dream and to be happy.

This passion has been a lifelong one, as of course it has evolved and changed as I have, along with the explorations, the subjects, music and art that I am interested in. My teenage loves that have remained an influence are musically The Cure, underground bands and scenes of Punk Rock, Goth, Metal, Hardcore, The Smiths, Joy Division, Teenage Fan Club, and The Sisters of Mercy, etc, etc. During that time and now, some of my favorite art are album covers and band poster art.

Rhythm Ride by Melissa Lin (20" X 28", Acrylic on canvas, 2013)

I’ve always loved stories and growing up I loved Neil Gaiman and the Sandman comics, the books of J.D. Salinger, the Beats, Alice Walker for her insight and compassion, Douglas Coupland, Douglas Rushkoff, the books released by Crimethinc, zines from all over the world, and one memorable one is 'All Broken Up and Dancing' by Kelvin Tan from Singapore of the band the Odd Fellows. Clarissa Pinkola Estes’s book 'Women Who Dance with the Wolves' contains a lot of magic and encouragement.

I am drawn to folk art from all traditions, and also art that is offbeat, raw, direct and honest in a way that grabs at the senses - their magic can feel as if for a moment that everything is heightened- or that new worlds or possibilities are opening up for the viewer, lit up from within, I think is how I would best describe it. Early on I loved Dali, Frida Kahlo, Georgia O’Keefe and an amazing artist from Australia, Vali Meyers - and album-poster art Artists! In my earlier years, Fathullah Luqman @ Fathul and Yee I-Lann were inspiring to me.

Midnight Walk by Melissa Lin (12" X 12", Acrylic on canvas, 2013)

TSH: What was the impact of these influences?

ML:  I guess that these books, the music and the art encouraged me to keep at what I’m doing, to find the fire if you will in life, even if it conflicts with the more usual or ‘normal’ ways of seeing, doing, living life. With courage, you can engage with the mystery of life and at that center and in those moments, everything can come alive again and you participate in it, instead of letting life happen to you.

Estuary by Melissa Lin (12" X 12", Acrylic on canvas, 2013)

TSH: Who is/are your favorite artist(s) author(s)? 

ML: Cannot choose one lah but Mary Oliver’s stuff has been really inspiring of late - Joseph Campbell’s ‘The Power of Myth’ and ‘Hero with a Thousand Faces’ has been instructive while my Astrology books always excite me. A monumental work is Richard Tarnas and his book ‘Cosmos and Psyche.’

TSH: What are your current concerns and how are the images you've produced able to communicate your thoughts? 

ML: I’m hoping that my paintings and drawings can actually take people away from thinking - as drawing and painting for me is a way for helping my mind to shut up, putting me back in touch with myself, and the experience is quite healing. If I am successful, my images will put people in touch with an experience or a part of themselves that is older and familiar somehow, something primal. I feel right now that I would like to actually explore and experiment with different things, I like creating characters and worlds but I am concerned with something new that I want to bring forth that still feels like it is in seed phase - working with wood, and with 3-dimensions, I think that will be fun.

Moonglow by Melissa Lin (8" X 8", Acrylic on canvas, 2013)

TSH: What is your preferred art medium and why are you comfortable in using this medium in the production of your artworks?

ML:  I love the ease of acrylic on canvas - and pencil on paper, though I am itching to try out sculpting. I guess I’ve gotten used to creating with these mediums, which can be a good and a bad thing…

TSH: A quote from you on the works you've produced for this exhibition or your philosophy in life in general.

ML:  Ok this is tricky, what to say... something spectral, something wild.

Wild by Melissa Lin (12" X 12", Acrylic on canvas, 2013)



Spectral by Melissa Lin (8" X 8", Acrylic on canvas, 2013)

Oily Teh O Ais: 3 Person Show with Melissa Lin, 
Pereira Irving Paul & Gaëlle Van Nah Chong 
7 - 21 September 2013 @ LostGens'



Thursday, September 5, 2013

Why the Middle East has been renamed the Muddle East...



I've been trying to find out who this authority on the Middle East who signs off as "KN Al-Sabah" actually is, but the only possible lead so far is that he may be a member of the Kuwaiti elite living in London. If the real "KN Al-Sabah" happens to stumble on this post, kindly introduce yourself and take a bow, sir.

I dub you the Master of Succinctness!

Here's blogger The Big Pharaoh's contribution to the confusion:










Sunday, August 25, 2013

Chain of command: Sirul Azhar's statement recorded on 9 November 2006

Sirul Azhar Statement
Written by Our Correspondent   
FRIDAY, 20 MARCH 2009

Report No : 7380/06
Station : Travers
Name : Sirul Azhar bin Haji Umar
IC No : RF125591
Race : Malay
Date/Place of Birth : 29-1-1971
Age : 35 years male
Occupation : Police officer
Address of workplace : UTK, Bukit Aman
Name of father : Haji Omar bin Haji Hassan
Address of father : Deceased
Recording Officers : Insp Nom Phot a/l Prack Dit at Office D6, 3rd Floor, Bukit Aman on 9th November 2006 at 1307 afternoon.
On 19th (sic) November 2006 I was asked by the investigating officer K/ASP Tony Anak Lunggan to record the statement of a Malay inmate named Sirul Azhar Bin Haji Omar Kp RF 125591. The inmate was then brought to me and I ordered the release of his handcuffs.
I then interviewed the inmate who appeared to be proficient in Malay. I also found the inmate in good health. I then read out the warning under Section 113(1)(a)(2) of the Criminal Procedure Code to the inmate as follows ;-
IT IS MY RESPONSIBILTIY TO WARN YOU THAT YOU ARE NOT OBLIGED TO SAY ANYTHING OR TO ANSWER ANY QUESTIONS.
BUT WHATEVER YOU SAY WHETHER IN ANSWER TO A QUESTION OR NOT SHALL BE GIVEN AS A STATEMENT.
S. Do you understand the warning that has been read and explained to you?
J. Yes I understand.
S. Do you have any questions about the warning?
J. No.
S. Do you want to give a statement?
J. Yes I want to give a statement.
S. What do you want to tell me?
J. As a member of the Special Action Unit (UTK) on an undetermined date 5 or 6 days before the incident on 19thOctober 2006 while I was in my office I received a telephone call from Tuan Azilah (Azilah) the officer above me requesting that I meet him in Central market. I could not meet him at the time because I was together with Tuan Khairy as his driver.
At that time, I was driving Tuan Khairy to deliver hampers in Selayanga and Batu Caves. On my way to there roughly after 12 noon I received another call from Azilah who asked me where I was and I told Azilah I may be late coming back as I was assisting an officer and I replied I would call him back after completing my duties.
At around 3.00pm, after dropping off the officer at the office in Bukit Aman, Azilah telephoned me again and told me to meet him in Central Market.
At about 3.15pm I met Azilah at Central Market. He instructed me to observe Malaya Hotel where the woman who was disturbing the businessman [sic] stayed. Azilah also informed me there were three women staying in a room on the 8th floor, the number of which I am unable to recollect.
After that I went together with Azilah in my car, a Satria bearing registration number WEA 4717 to look for Malaya Hotel. On the way there, Azilah talked about a reward of between RM50,000 and RM100,000 if the case was settled. Azilah and I however failed to locate the hotel after circling the area many times.
After failing to locate the hotel, Azilah and I returned to Central Market and while we were there, Azilah asked an artist at Central Market for directions to Malaya Hotel.
The artist, who was Malay, drew a plan of the location of Malaya Hotel .
After that Azilah and I walked towards Malaya Hotel. We reached Malaya Hotel at 4.00pm.
When we arrived at Malaya Hotel, Azilah invited me to go to the 8th floor of the hotel. After we reached the 8th floor Azilah showed me the room that was occupied by the woman who was disturbing Razak.
While on the 8th floor, Azilah asked me to "shoot to kill" all three women in the hotel room and asked that I stay in any one of the rooms on the 8th or 7th floor or any other floor with all lodging expenses borne by Azilah.
I informed Azilah that I would not be able to do it because of the presence of CCTV (closed circuit television cameras).

[Read the full statement here.]