Showing posts with label Eris. Show all posts
Showing posts with label Eris. Show all posts

Sunday, May 7, 2023

Keep The Ravioli In Orbit, Folks! (repost)

Eris, goddess of discord, courtesy of SilverStar

ROBERT ANTON WILSON ~ "Secret Agent of Synchronicity"* (1932-2007)

Truth be told I'm not much of a joiner (and I'm a sorry excuse for a carpenter too). However, a few months ago I was prompted to join a Facebook Group that calls itself Keep The Ravioli In Orbit - inspired, no doubt, by Robert Anton Wilson's legendary throwaway credo: "Keep The Lasagna Flying, Folks!"

Watch this highly instructive video:



Some of you may want to know just who Robert Anton Wilson is - oops, he hated the word "is" so I'll rephrase that. You may want to know what Robert Anton Wilson apparently signified (the past tense is a minor concession to the popular notion that the Great Man discarded his hydrocarbon-protein spacesuit on 11 January 2007). I dedicated a blogpost in May 2007 to RAW that offers a brief overview of his colossal contributions to Consciousness and Cosmic Humor.

What about the Facebook Group, Keep The Ravioli In Orbit - A Tribute To Robert Anton Wilson? Well, I must confess that I was mighty chuffed to receive a notice from Steven Pratt, Dish Washer of the Group, that he had anointed me Artichoke Duke and Lord of Keep The Ravioli In Orbit.

An honor such as this does not come one's way every day. And so, to commemorate this entirely random event, I've chosen to publish a selection of juicy quotes borrowed from the homepage of the Group....

"The greatest of all crimes are the wars that are carried on by governments, to plunder, enslave, and destroy mankind. The next greatest crimes committed in the world are equally prompted by avarice and ambition; and are committed, not on sudden passion, but by men of calculation, who keep their heads cool and clear, and who have no thought whatever of going to prison for them. They are committed, not so much by men who violate the laws, as by men who, either by themselves or by their instruments, make the laws; by men who have combined to usurp arbitrary power, and to maintain it by force and fraud, and whose purpose in usurping and maintaining it is by unjust and unequal legislation, to secure to themselves such advantages and monopolies as will enable them to control and extort the labor and properties of other men, and thus impoverish them, in order to minister to their own wealth and aggrandizement. The robberies and wrongs thus committed by these men, in conformity with the laws, - that is, their own laws - are as mountains to molehills, compared with the crimes committed by all other criminals, in violation of the laws." - Lysander Spooner


"The normal is that which nobody quite is."
- Arlen Riley Wilson

"And the Beast said,
By their pee shall ye judge them
And by your pee shall ye be judged
And all shall be judged by their pee
And in the snow shall their names be written"

-Stun de Xim, Book of TSOG

"Is," "is," "is" — the idiocy of the word haunts me. If it were abolished, human thought might begin to make sense. I don't know what anything "is"; I only know how it seems to me at this moment."
- Sigismundo Celine, The Historical Illuminatus

"A change in language can transform our apprehension of the cosmos."
- Benjamin Lee Whorf

"Animals outline their territories with their excretions, humans outline their territories by ink excretions on paper." - RAW, Prometheus Rising

"Events which appear crude or offensive in the instant may become, with a change of perspective, somewhere between droll and riotously funny."
Hannibal Lecter, M.D.

"Do not pester people at home.
Do not annoy them at work.
Leave them alone,
or they will curse you.
"
- Dao De Jing, 72

"What amazes me most is the piss police. Even Kafka and Orwell - who wrote the craziest, most far out satires on totalitarianism that their wild surrealist imaginations could imagine - they did not include piss police. And yet we got them and the American public just gullibly and submissively accepts it." - RAW

"I used to be an atheist, until I realized I had nothing to shout during blowjobs. 'Oh Random Chance! Oh Random Chance!' just doesn't cut it." - RAW

[Interview extracted from Metroactive.com

The Original Slacker: Wilson was the model and inspiration for the Church of the Subgenius and its iconic figurehead J.R. 'Bob' Dobbs.

PREMATURE ILLUMINATION

Robert Anton Wilson, the iconoclastic genius behind the famed Illuminatus! Trilogy, has a few thousand things he'd like to teach you...

*By Bill Forman

Decades before the crossover cult film What the Bleep Do We Know!? popularized the idea that the principles of quantum mechanics could be applied to the world at large, Robert Anton Wilson had laid out much the same theory in his book, Prometheus Rising. Venture further into Wilson's oeuvre and you'll find equally prescient material on longevity research; you'll likely even stumble across source materials that inspired Dan Brown to write The Da Vinci Code.

"I think I'm the most ripped-off artist of our time," says Wilson, seated in the living room of a modest Capitola apartment adorned with an array of pookahs, Buddhas and at least one Loch Ness monster. "People keep coming out with books 30 years after - books on things I wrote about - and they all become bestsellers.

"I wrote about them too early," says Wilson, raising a thin arm and shaking his finger to emphasize his point: "Don't be premature."

Lance Bauscher agrees. "This whole Da Vinci Code thing with Dan Brown, I mean, that's all Bob's material," says Bauscher, who directed a film about Wilson called Maybe Logic and also runs an academy through which Wilson's online course, "Tale of the Tribe," begins on August 14. "Dan Brown has read all of Bob's books. But Bob doesn't really compromise his storytelling - not that Dan Brown does - but it's for a general audience, and Bob just doesn't go there."

Maybe that's because Wilson can't helping throwing his audiences so many curve balls, mixing esoteric facts with wild flights of imagination - and rarely revealing which is which. From self-destructing mynah birds to world domination enterprises determined to grant immortality to Adolf Hitler, the irascible Wilson's Illuminatus! Trilogy (written in the 1970s with co-author Robert Shea) is a fun-house ride through every conspiracy theory under the sun - as well as a few that appear to have been hatched in some far distant solar system.

At age 73, Wilson's body and voice have both been weakened by post-polio syndrome, but his brain and his humor are as sharp as ever.

"His humor is constant and people are never sure if he's being serious," says Bauscher of Wilson's intellectual gymnastics. "I mean, the Illuminati: is it a joke or serious? And Discordianism: is it a joke disguised as a religion, or a religion disguised as a joke?"

All of which helps explain why Wilson's name doesn't frequent bestseller lists, nor is he routinely credited for the insights that are beginning to capture the public imagination decades later.

In fact, one day this past spring, after Santa Cruz moviegoers had lined up to see What the Bleep Do We Know!? in sufficient numbers to justify its three-month run, Robert Anton Wilson was lying alone, conscious but unable to move, on the floor of this one-bedroom Capitola apartment for 30 hours.

"It really didn't seem that long," says Wilson of his collapse, which ended when his daughter arrived and broke down the door. "And I remember thinking, as I'm lying there trying to move and unable to move: Hey, I may be dying now. And it didn't frighten me or bother me at all."

Wilson's subsequent trip to the hospital, the first of his adult life, was a different story altogether.

"The worst thing about hospitals," says Wilson, who was rescued when his daughter managed to break into the apartment, "is that all the rights guaranteed in the first 10 amendments are immediately canceled. You have no civil rights whatsoever. And the second thing is, all the ordinary rules no longer apply - you are no longer a person deserving of kindness, you're a disobedient child who has to be reprimanded and herded around. My God, I don't know why people put up with such treatment." Wilson, we can presume, doesn't particularly like being told what to do.

"Not by people who treat me like an idiot. Not when I'm 73 years old, I have 35 books in print, I supported a wife and four kids for most of my life. I do not appreciate being treated like a disobedient 4-year-old, the way they treat everybody in the hospital."

Of course, you don't have to go to a hospital to be treated like that, but Wilson's on a roll ...

"I was an editor of Playboy, for chrissake," he cries, as though that, if nothing else, should carry some weight in this culture. "I've had plays performed in England, Germany and the United States; my books are in print in a dozen countries. Why the hell do they treat me like a child? I refuse to tolerate it. If they won't treat me with dignity, I won't go anywhere near them, especially with all the goddamned germs they got floating around there. CNN did a report on it - the number of people who are killed by diseases picked up in hospitals is much greater than the number who are killed by cars.

"I'm never going to a hospital again. Never, never, never, never! I will lie on the floor and die before I go back to a hospital."

Some of It Has Got to Be True

The opening of the American mind, or at least the one belonging to Robert Anton Wilson, continued more-or-less unabated throughout the '50s and '60s. In 1958, he married Arlen Riley - who had worked as a scriptwriter for an Orson Welles radio show - and she went on to introduce Wilson to the work of Alan Watts. Friendship and collaborations with Timothy Leary followed, as well as experimentation with an array of drugs and mystic traditions. But it was in the decidedly secular surroundings of the Playboy editorial office, back in the late '60s, that two associate editors would hatch the idea of the Illuminatus! Trilogy, which remains Wilson's best-known work to this day.

"I'm sorry to disappoint you, but it was much like working at any other magazine," says Wilson, who never even got to visit Hef's grotto. "I mean, you went into the office, you did your job and you went home. The difference is that all the girls were good-looking. Of course, I was happily married and not fucking all the secretaries, I'm sorry to say."

Wilson and co-conspirator Robert Shea did borrow a few ideas from letters to the editor they received at Playboy, but most of the influence on their collaboration came from the broader gestalt of an era that was obsessed with esoteric arcana and increasingly paranoid about all manner of conspiracies.

"He and I were talking one night over bloody marys and peanuts," recalls Wilson, "and he says, 'What if every conspiracy theory is true?' It began as satire, but a lot of people were really scared by it. Which makes sense, because some of it has got to be true."

Careening wildly from detective story to first-person rant, from twisted history to apocryphal speculation, the Illuminatus works continue to influence the oddest assortment of young minds. Camper Van Beethoven were outspoken fans, as were the Seattle Posies, who paid tribute to Wilson on their first album. (Wilson says Guns 'N' Roses were also fans, but it's probably unfair to hold him responsible for them,) Author Tom Robbins is a Wilson devotee, as is Bay Area author R.U. Sirius, who took his name from Wilson's book, Cosmic Triggers, and went on to found Wired magazine precursor Mondo 2000. (Sirius is also one of the instructors at the Maybe Logic online academy, as are Dice Man author Luke Rhinehart; chaos magic godfather Peter Carroll; DePaul professor Patricia Monahan, who is also Robert Shea's widow; and several others.)

Wilson has also inspired at least two religions, or send-ups thereof: Discordianism took root in the immediate wake of the trilogy, while the Church of the Subgenius enshrined Wilson - in the form of pipe-clenching icon Bob Dobbs - as its figurehead some two decades later.

While introducing him at a convention, Subgenius founder and high priest Ivor Stang called Wilson "the Carl Sagan of religion, the Jerry Falwell of quantum physics, the Arnold Schwarzenegger of feminism" and "the James Joyce of swingset assembly manuals."

As the years went on, Wilson continued to write and speak with relentless energy. After he and his wife moved up to Capitola in the early '90s, he used an early incident here as a way to explain quantum physics.

"When I moved from Los Angeles I moved into what I thought was Santa Cruz," Wilson told a European audience during footage included in Bauscher's film. "Then we had something stolen from our car and we called the police, and it turned out we didn't live in Santa Cruz, we lived in a town called Capitola. The post office thought we lived in Santa Cruz, the police thought we lived in Capitola. I started investigating this and a reporter at the local newspaper told me we didn't live in Santa Cruz or Capitola, we lived in a unincorporated area called Live Oak."

"Now quantum mechanics is just like that," Wilson continues, "except that in the case of Santa Cruz, Capitola and Live Oak, we don't get too confused because we remember we invented the lines on the map. But quantum physics seems confusing because a lot of people think we didn't invent the lines, so it seems hard to understand how a particle can be in three places at the same time and not be anywhere at all."

A TRIBUTE TO RAW IN LONDON (WATCH THE VIDEO!)

[First posted 24 December 2007]

Friday, February 9, 2018

What Rhymes With Aphrodisiac? An Interview with Rob Brezsny

Found this brilliant interview with ROB BREZSNY - multidimensional genius without portfolio - conducted by Sarah Phelan for Metro Santa Cruz in August 2005. I just have to blog it, if only because Brezsny comes pretty close to saying it all for me, and probably a lot more elegantly too!

GRAVE ENCOUNTER

In which we bury a symbol of paranoia in an effort to break on through to the other side with astrologer Rob Brezsny

By Sarah Phelan
Photographs by Dina Scoppettone

It began with an email from Rob Brezsny, that renegade genius whose syndicated Free Will Astrology column runs in 130 newspapers nationwide, including Metro Santa Cruz. Only this time Brezsny, who lived in Santa Cruz for 14 years and has since moved to Marin, wasn't writing horoscopes, but pushing his newest book, Pronoia Is the Antidote for Paranoia (North Atlantic Books; $19 paper).

"Reading it is interesting and helpful, too, but a lot of good stuff can happen if you just let its edgy benevolence seep into your dreaming mind," wrote Brezsny, who urged me to sleep with a copy of Pronoia under my pillow for at least three nights.

At 296 pages thick, the copy of Pronoia that happened to be sitting on my desk didn't strike me as a dream pillow—even in softcover. But Brezsny's email did get me leafing through his weighty tome, whose cover (a flaming heart at the center of a labyrinth) and optimistic subtitle (How the Whole World Is Conspiring to Shower You With Blessings) had already piqued my curiosity. And once inside its pages, I was unable to resist the "dear gorgeous genius" love letter, or the "luminous tease page," which in typical Brezsny fashion exhorted me to "rebel against your horoscope," and "sip the tears of someone you love." And then there were Brezsny's miribilia reports, which reportedly come "live from your repressed memory of paradise," and include freeing gems, like the uplifting news that "black sheep have a better sense of smell than white sheep."

Promising to place my copy under my pillow (beauty sleep be damned), I emailed Brezsny my request for a face-to-face interview—something he deemed "so 20th-century, but fun, too."

He ended up suggesting that we meet at the Evergreen Cemetery in Harvey West Park to carry out a ritual burial of my share of paranoia, cynicism and snark.

"Not that you have any more than the rest of us; we all need to bury our load of psychic garbage," wrote Brezsny, adding that if I wanted to bury my paranoia then I should bring a symbol of it.

And so it was that after deliberating on paranoid symbolism for the next two weeks, I found myself standing beside the white picket fence that delineates Evergreen Cemetery, a picture postcard of George W. Bush in my hands. Brezsny says he chose this graveyard for our meeting because of many fond associations he has with the place, including meeting the love of his life, Ro Loughran, who he first spied "flailing like a whirling dervish on top of a sepulcher during a performance art event called "A Happy Birthday for Death."

Oddly enough, my first impression of the historic site, which contains the tombstones of some of Santa Cruz's earliest movers and shakers, was of a lover's quarrel, thanks to the pasty-faced goth couple with matching jet-black hair, who standing beneath the cemetery's metal archway were hurling poisonous insults at each other, as I approached.

Not wishing to invade their space and with Brezsny nowhere in sight, I wandered between the cemetery's white entrance pillars and up the redbrick path that meanders into the hills that flank Harvey West Park. Halfway along the path, I encountered a woman whose body was silhouetted by a blinding sheet of white light. Temporarily disoriented, I was just beginning to wondering if this lady—and the goth couple for that matter—were ghosts, when the apparition stepped out of the sunlight and into the shade, revealing herself to be Metro Santa Cruz photographer Dina Scoppettone, who told me that she had just found an old headstone inscribed with the name "Sarah"—a site she thought might be perfect for my paranoia burial ritual.

Just then an exuberant gaggle of school kids caught our attention as they entered the cemetery screaming happily and followed by a man with windswept silver hair, who was wearing a white lab coat over black clothes and carrying a clipboard and pen. As the sun glinted off the man's Harry Potteresque spectacles, I recognized him as Rob Brezsny, "the master of rowdy bliss" as he calls himself in Pronoia, who was here to help me bury my postcard of Bush "without hate." And so we spent the next hour, sitting on the some cold stone steps that led to a nearby grave and talking, as solitary yellow leaves drifted down from the tree canopy and onto the trails, where wind swept them along in dry rattling rustles.


METRO SANTA CRUZ: What can we do about paranoia in light of the fact that Rove is still roving and Bush just got, er 're-elected'?

BREZSNY: The worst thing is to let any of our responses to Bush make us like him, like the fundamentalist virus, which makes us believe the way we see things is correct.

Confess your fundamentalist virus.

My daughter is always busting me when I'm prejudiced against rich people. The mark of a fundamentalist take on things is that it's totally serious, literal and personal. Those are the three death grips.

How long have you been assuming your lab coat identity?

About six years, part time. I like some of the ways that scientists look at the world, how they shed their personal biases, how they don't jump on a little bit of data and make up stories, but just deal with what's there. One of my hypotheses is that the world is conspiring to give us exactly what we need, not from my ego's, but from my soul's, point of view. I put on the lab coat to inspire me, mostly. To remind myself that I'm a scientist, a researcher, not a know-it-all. I like to say I'm looking for the answers so I can destroy them and think up better questions.

Grave New World: Both Rob Brezsny and George W. Bush share the same astrological signs - Cancer with Libra moon - yet only Brezsny adheres to the ancient Spider-Man koan:
'With great power comes great responsibility.'

Do you think that people sitting there, saying, 'Bush is our greatest teacher,' even as bombs keep killing people in Iraq, can lead to dangerous apathy?

I think the answer is to try to live in both of those realms and maintain a dual perspective. Yes, everything is going exactly as planned, but from the perspective that we as small egos can't see, it will work out in a way that may be immediately difficult and painful, but will be good for all. So you can sit there, but also be prepared to fight fiercely for beauty and justice and harmony, to be absolutely devoted to kicking ass in the most tender way possible. Being a pronoiac doesn't make you passive. There's a lot of fierceness in my particular approach to creating goodness and truth and beauty.

I notice you say 'pronoiac' and not 'pronoid.'

Pronoiac rhymes with aphrodisiac. Pronoid rhymes with paranoid.

By rhyming with aphrodisiac, pronoiac emphasizes a love of life?

Yeah, this pronoia is celebration. It's not a passive optimism. It's not an "ignore the darkness" kind of optimism. This is not a shopping-mall-in-Indianapolis kind of pronoia. This is not a gated-community kind of pronoia. It's a let-the-chaos-in kind of pronoia, because the Goddess is bringing us chaos over and over again. That's how she creates. So, pronoia's got to thrive on chaos. It can't be afraid of it.

A woman with a heavy Spanish accent called our paper a few months ago from Watsonville, and said, 'Rob Brezsny, he hates Aries.' She claimed your column always bashes Aries. Do you have a secret hatred of Aries?

(Laughs rowdily.) No, I love all the signs equally, but as you can imagine, I'm a huge projection screen for people. In general, that's probably pretty good. They can project onto me their inner teacher. They can imagine that I'm somehow the source of this information, when it's actually coming from them, because it's all in how you interpret my work. I think when I'm working at my best, I'm standing in for each person's inner teacher. Since lots of people don't know they have such a thing, I can provide a service, I can materialize it in the outer world.

Your work, then, is all in the interpretation?

I try to keep my intentions extremely clean and pure and loving, because I think that's the only thing that's going to work to ensure that people take what I say and use it in the best way. It's so important that your intentions don't get subverted, or appropriated by the ego or your desire to be loved or please other people. Not that those are terrible motivations, but to do what I do best, I have to give without any strings attached, with the smartest love I can summon.

What made you leave Santa Cruz?

My wife was going to grad school in San Francisco. I also had that sense that as long as I lived in Santa Cruz, that because I resonated so deeply with the starving artist archetype, I would remain a starving artist. I don't think everyone who lives here does that, to the contrary, but I felt I'd remain insular, if I stayed. And within a couple of years of leaving, my column took off and got syndicated, and I made a lot more money.

Do you pray for clarity?

I do. Most of my prayers start with gratitude, asking Goddess what I can do for her, rather than what she can do for me

Is Pronoia a character in Greek mythology?

In Greek mythology, Pronoia was the consort of Prometheus, the divine rebel who stole fire from the gods and brought it to humanity. Pronoia is an ancient word that's been used in different contexts, but used to mean providence, or the abundance of spiritual gifts.

Do you see Pronoia as a female figure, or as a belief system?

I like to say it's a mode of perception and try to take out of realm of belief. I do like to see it as a muse, though, as a somewhat elusive but generous muse, which for me, because I'm a heterosexual man, tends to take a female form, and a muse that bestows an abundance and surprise and clues to me as a researcher. ... It's critical that what we call the archetype of the Divine Feminine returns in full force before we kill the world — or kill the world as it's inhabitable for us.

In 'Pronoia,' you call yourself Global Village Idiot and Fool Czar?

Right, although the president hasn't responded to my request to be appointed Fool Czar.

So, as Fool Czar, how would you exhibit compassion toward George?

I'd love to kiss his ass. I even offered to kiss Rove's butt without his underpants on, but I haven't had any response. And I'd love to talk about the fact that George W. Bush and I share astrological signs. We're both Cancer with Libra moon. I'd like to talk about ways we're similar.

What are those ways?

We're both good at touching into the collective imagination. However, in my opinion, he manipulates that for the powers of greed, of elitism, of militarism and materialism, whereas I'm trying to, I suppose, manipulate it in the name of beauty and truth and the elimination of hierarchy, of pure democracy and feminism. I'd like him to consider creating some new holidays. One of them would of course be the Bliss Blast.

As part of one of the exercises in your book called 'Rank Your Favorite Doomsday Scenario,' I went on the Internet, typed in 'paranoia' and got tons of hits. Waco. Men in black. The Bay of Pigs. The Bermuda Triangle. Chemtrails. Black helicopters. UFOs. Tinfoil Hats. The missing WMDs and 9/11. Bin Laden. Seems like it's a pretty good time in the history of world to be paranoid.

A pretty interesting time.

So, you're swimming against the stream with your pronoia?


I'm not gonna claim that the news is 95 percent good, but I would like to work on the hypothesis that maybe it's fifty-fifty. I think that the absurd domination of bad news is curious and suspicious. It seems to suggest that those who identify themselves as educated and elite communicators in our society believe the opposite of what the poet John Keats said, which is, 'If something is not beautiful, it is probably not true.

The media and a lot of politicians seem to say the exact opposite, which is, if something is not ugly, it is not true. And that's a cockeyed view of world. I'm not advocating that we ignore the darkness and pretend, for instance, that we're not living through a mass extinction event. For example, biologists say we're living through the greatest extinction of species in 65 million years. However, in my opinion we're in the midst of tremendous abundance as well — tremendous beauty and joy and pleasure. The apocalypse is not happening sometime in the future, it's already under way. It's a slow motion apocalypse and it's both apocalypse in the current sense of word, which is a collapse, a degeneration of things falling apart, but also in the ancient sense, which is an awakening. So, right alongside all this collapse and degeneration is awakening and birth and fountains of incredible creativity and reinvention. To be honest, as educated intellectual people, we need to report on the other side.

Tell me about the homeopathic medicine spells in your book. Do you put the bad, negative stuff inside them?

Yes, you recognize the negative. You put it in its place and surround it with blessings, with a spell of protection, so it won't reach out and grab some part of our subconscious mind and say, "This is true. You are like this." So, in a sense, these spells protect us against our temptation to resonate with ugliness, evil and ungenerous anger. Jung talked about the shadow, that part of ourselves that is wounded, sick, that never grew up right. So, we have to have a relationship with our shadows. If we try to deny or ignore their existence, they will bite us in the ass, subvert our good intentions, undermine what we're trying to do. We need to make sure that before we go out and ask the world to change, that we're in very close contact with the ugliness in ourselves and that we're working to redeem that and transform it.

We take a break, during which Brezsny retrieves a long-handled shovel from his car for our burial event. But as he poses beneath the cemetery's metal archway, and I dig a hole safely away from the graves, including the "Sarah" headstone — a police car turns onto Evergreen Road and slows to a crawl, its uniformed occupants eyeing our merry trio with detached curiosity.

Immediately, my paranoia, which I have not yet buried, springs back to life, taunting me with questions, such as, 'Is it illegal to bury a photo of the U.S. president, especially if you're an immigrant on a green card?' Not knowing what else to do with the evidence, I jam it into my pants, with the unintended consequence that Bush's photo ends up kissing my ass. (Hey, maybe the exercise is already working!) And the minute the cop car passes by, I hastily dig a shallow grave, lay Dubya's picture in it with as much kindness as I can summon and cover it up with soil, moments before the cop car cruises by again and Brezsny and I resume our interview.


In 'Don't Think of an Elephant,' George Lakoff warns against framing the debate in the opposition's language. Are you dancing around on the philosophical side of that equation, with your vision of pronoia?


In the Jewish magazine Tikkun, almost immediately after the November election, Rabbi Michael Lerner began talking about how the left can't keep ceding spirituality to the right. We have to add a spiritual aspect to our perspective. That's why a lot of people just gravitate de facto to the right, because at least they recognize or include the element of spirituality. But there are people on the left who represent the spiritual side of left. We do have a moral vision, a very powerful vision about what's good for most people.

As the aftermath of 9/11 showed us, clearly our fears can be manipulated. Is there also a button for happiness?

Right now we as a society are addicted to fear. We need an intervention, to talk in 12-step language. We're so accustomed to being motivated and moved and fascinated by fear that we've lost the capacity to even imagine that pleasure and joy and regeneration and integrity can be interesting. I think it takes a retraining, on a personal level... The first step is to have the intention to be happy. Who'd have thought of that?

What do you believe in?

My personal belief is that there are many other dimensions besides this particular one and that there are beings that are not physically manifest: some are stupid, some smart, good, some bad, some in between, just like in the material realm, but I believe the caricature of angels, kind of a New Age parody, if we look back at John Milton and William Blake, who consorted with angels and many great literary and intellectual minds who took angels very seriously, seriously, not just as a metaphor, not as some empty hope, but as literal entities. I believe in angels, angels who are working full-time to create beauty and truth and love in the world. Unfortunately, they want and need us to identify and ask for what we need, and most people don't do that.

Why do people need to ask?

Because this is a collaboration, not a fascist regime. Contrary to what fundamentalist Christians would say, this is a collaborative effort. The whole point in free will is to participate in a collaborative effort, not leave it to some all-knowing spiritual forces. In a greater sense, I believe in God or Goddess, a single divine intelligence that animates the universe and is simultaneously aware of 500 million galaxies and their function and the six kittens that were recently born to you. From the ego side, that sounds impossible, but I don't think a belief in angels and divine intelligence is required. Some of the greatest spiritual workers on the planet are atheists, but they are supremely ethical, their spiritual work having firmly to do with improving conditions on earth.

In 'Pronoia,' you write, 'I'm allergic to dogma. I thrive on riddles. Any idea I believe, I reserve the right to disbelieve as well.' So, after 'Pronoia' has been out for a while, you're not going to tell us you don't believe in it anymore, are you?

My policy is to believe in the things that inspire me about 75 to 80 percent. I say that about astrology, too. I would never think of saying that I believe in astrology 100 percent, or in feminism or in the perspective of psychology, or leftist politics. All those things, when you identify yourself so entirely with them, that there's no "you" outside of those ideologies, then I think you lost, you're upset, you're possessed by ideas. That's always dangerous, even if the ideas are great ideas. So, I think it's important to maintain skepticism about pronoia. Some people have written to me in a critical way that I expected. Most people resonate pretty well with the philosophy of pronoia, but some say, "You are deluded, you are helping to spread stupidity and laziness." I can understand the fear that if we work at seeing things optimistically, we might lose sight of everything that's wrong with the world. I don't think I'll do that, but that's a valid fear, so in that sense, I'm skeptical of pronoia and I'm not going to promote pronoia as a cure all.

What about the flaming heart in the labyrinth on the cover of 'Pronoia'?

It's the heart on fire, the heart inflamed with the desire to bring beauty and truth and love and justice and harmony to the whole world. Pronoia is not a passive thing. It's fierce, it's filled with strong intention to bring that message that life is much better than it's being portrayed right now, that there's a lot we can do to emphasize what works, and we have to do that aggressively.

William James, the philosopher, talked about how we need a moral equivalent of war. What I take that to mean is that we all have this martial force within us. It's an inherent part of every human being. Unfortunately, it's usually expressed as war and conflict and anger, but there are other ways to express that martial force. As aggressiveness expressed in the name of feminine values. That's my particular angle. That's why I call myself a macho feminist. I want to bring the message of relationship, of intimacy, of love, of caring for other human beings with the same force that a macho dude might use in his struggles to take over the oil fields in the Middle East. This has macho force behind it, but it's done in the name of joy, peace and harmony. That's what that image says to me.

What was your motive for writing 'Pronoia'?

When Henri Matisse started his work, critics said he threatened to undermine civilization, that's the power artists had in some eras of history. It's hard to imagine anyone saying that about a painter or an artist today. It's been demonstrated that art has the power to remake the world, whether to subvert existing values and/or create new ones. I'd like to return to the Henri Matisse kind of place.

So ended our interview, and shortly thereafter, strange stuff started happening. No, the Bush regime did not immediately crumble to dust under the weight of its lies, like vampires in full daylight. Instead, things I thought I'd been paranoid about for years in my personal life turned out to be my angels whispering in my ear all along. And when I confronted the truth it turned out to be more beautiful than the ugliness of living in a lie. So, be advised: burying your paranoia may change your life, not necessarily in the way you were expecting, but in a way that will free you to see the truth and beauty in your own life—perhaps even with humor. As for the bigger picture, I'll leave you with a vision that Brezsny describes in Pronoia's "I Have a Dream" section:

"I'm the president now ... and so are you. I am the supreme Commander of the United Snakes of the Blooming Haha ... and so are you. And what we proclaim is that in the New World, we will love our neighbors as ourselves, even if our neighbors are jerks. We will search for the divine spark even in the people we most despise, and we will never dehumanize anyone, even those who dehumanize us. I have a dream that sooner or later, every one of us will become a well-rounded highly skilled, incredibly rich master of rowdy bliss—with lots of leisure time and an orgiastic feminist conscience."

Metro Santa Cruz © 2005

"At the risk of seeming ridiculous, let me say that the true revolutionary is guided by great feelings of love.
" ~ Ernesto Che Guevara

[First posted 30 November 2007]